Advertising

After Luring Customers With Low Prices, Amazon Stuffs Fire TVs With Ads (arstechnica.com) 81

An anonymous reader quotes a report from Ars Technica: People who buy a Fire TV from Amazon are probably looking for a cheap and simple way to get an affordable 4K smart TV. When Amazon announced its first self-branded TVs in September 2021, it touted them as being a "great value." But owners of the devices will soon be paying for some of those savings in the form of more prominently displayed advertisements. Charlotte Maines, Amazon's director of Fire TV advertising, monetization, and engagement, detailed the new types of ads that Amazon is selling on Fire TVs. In a StreamTV Insider report from November 1, Amazon said the new ads will allow advertisers to reach an average of 155 million unique monthly viewers. Some of the changes targeting advertisers, like connecting display placement ads with specific in-stream video ads, seem harmless enough. Others could jeopardize the TV-watching experience for owners.

For example, Amazon is preparing to make Alexa with generative AI more useful for finding content on Fire TVs. This could help Alexa, which has struggled alongside other tech giants' voice assistants to generate significant revenue. Amazon gets money every time someone interacts with digital content through Alexa. However, the company is double-dipping on this idea by also tying ads to generative AI on Fire TVs. When users ask Alexa to help them find media with queries such as "play the show with the guy who plays the lawyer in Breaking Bad," they will see ads that are relevant to the search. [...] Finally, Amazon is adding "contextual sponsored tiles" that use machine learning to show ads based on whatever content genre or search term the Fire TV user is browsing.

Amazon Fire TV users will also start seeing banner ads on the device's home screen for things that have nothing to do with entertainment or media. This ad space was previously reserved for advertising media and entertainment, making the ads feel more relevant, at least. Amazon opening the ad space to more types of advertisers is similar to a move Google TV made early this year. The banner ads will occupy the first slot in the rotating hero area, which Amazon believes is the first thing Fire TV users see.

Movies

Nintendo Is Making a Live-Action 'Legend of Zelda' Movie (theverge.com) 32

Nintendo has confirmed that it's working on a live-action adaptation of The Legend of Zelda, directed by Wes Ball and produced by Zelda creator Shigeru Miyamoto. The Verge reports: "This is Miyamoto. I have been working on the live-action film of The Legend of Zelda for many years now with Avi Arad-san, who has produced many mega hit films," Miyamoto said in a statement posted on X, formerly Twitter. We might be waiting a while for the movie, however; Miyamoto said, "It will take time until its completion, but I hope you look forward to seeing it." While there aren't many details on the movie itself, Nintendo says that it will be co-financed by itself and Sony, with Nintendo footing more than 50 percent of the bill.

"By producing visual contents of Nintendo IP by itself, Nintendo is creating new opportunities to have people from around the world to access the world of entertainment which Nintendo has built, through different means apart from its dedicated game consoles," the company said in a statement about the Zelda film. "By getting deeply involved in the movie production with the aim to put smiles on everyone's faces through entertainment, Nintendo will continue its efforts to produce unique entertainment and deliver it to as many people as possible."

AI

SAG-AFTRA Won't Budge As Studios Push To Own Actors' Likenesses In Perpetuity (theverge.com) 113

An anonymous reader quotes a report from The Verge: Though negotiators from both the Screen Actors Guild (SAG-AFTRA) and the Alliance of Motion Picture and Television Producers (AMPTP) met this past weekend in hopes of bringing Hollywood's ongoing labor strike to an end, contract talks have reportedly stalled once again due to the desire of studios to own performers' digitally scanned likenesses in perpetuity.

Previously, the AMPTP insisted that its most recent proposed contract was its "best and final" offer. But according to The Hollywood Reporter, SAG-AFTRA refused and walked away from the negotiations over the AMPTP's insistence on pushing for new rules regarding the use of people's likenesses that would ultimately leave actors in the lurch. Per The Hollywood Reporter, the AMPTP's newest contract would allow studios to secure the digitally scanned likenesses of all Schedule F performers -- members of the guild making more than the minimum $32,000 / episode rate for series or more than $60,000 for feature films.

The AMPTP has been trying to get SAG-AFTRA on board with the idea of studios paying actors for their likenesses since the strike began earlier this year. Because this most recent proposal would allow studios to use digital scans of dead actors without the consent of their estates or the guild, however, SAG-AFTRA has refused and expressed its desire for changes that would require the studios to pay actors each time their faces are used and receive consent from those actors before doing so. On Monday evening, SAG-AFTRA posted a short message to X (formerly Twitter) stating, "There are several essential items on which we still do not have an agreement, including AI."

Businesses

Consumers Paying More Than Ever for Streaming TV Each Month (yahoo.com) 162

After years of inflation, Americans are used to sticker shock. But nothing compares to the surging price of streaming video. From a report: Last week, Apple TV+ became the latest streaming service to raise its price -- up from $6.99 to $9.99 per month -- following the example of Disney+, Hulu, ESPN+, and Netflix, which all hiked their prices in October. Half of the major streaming platforms in the U.S. now charge a monthly fee that's double the price they charged when they initially came to market. And many of these streaming services haven't even been around for 10 years.

Consumers have grumbled, but have so far been willing to keep paying up. It's hard to say where their breaking point will be, but given that analysts believe the platforms are likely to continue raising prices even further, we'll probably find out soon enough. Part of what's driving the price hikes is how saturated the streaming market has become. For a company like Netflix, which has 77 million paid subscribers in the U.S. and Canada, finding new paying subscribers to keep revenue growing is not easy. Netflix has started clamping down on password sharing to boost its paid subscriber rolls, but that only goes so far. Raising prices for existing subscribers is an effective way to pump up the top line and keep investors happy.

Television

Max Removes 4K Streaming, Other Perks From Ad-Free Plan (droid-life.com) 70

A long-time Slashdot reader writes: Continuing the seemingly industry-wide trend towards enshitification of the Subscription Video on Demand (SVOD) marketplace, Max today announced that it will be making changes to the current Ad-Free plan. To wit, 4K HDR with Dolby Atmos will be removed and concurrent streams will decrease from three to two.

In other words, you are paying the same price for less features. If you wish to keep the features you've had all along, all you have to do is upgrade to Ultimate Ad-Free at a 33% premium for the annual plan or 25% increase for monthly. No news yet on a crackdown of password sharing, however, that seems inevitable as the industry races to the bottom.

Meet the new cable boss, same as the old, except, they bring death by several small cuts instead of a single large one.

Music

The Final Beatles Song, 'Now and Then,' Featuring All Four Members and AI, Released 63

More than 50 years after the Beatles broke up, John, Paul, George and Ringo are back together, reunited for one final track that was released Thursday, officially closing the final chapter in the band's musical output and legacy. From a report: The song, titled "Now and Then," was played on BBC radio just after 2 p.m. local time (10 a.m. ET) and simultaneously released on streaming platforms. With the help of digital technology, it features both John Lennon, who was shot dead in 1980, and George Harrison, who died from lung cancer in 2001. With new contributions from Paul McCartney, 81, and Ringo Starr, 83, the song will be the final music released by possibly the most influential and bestselling musical group of the 20th century.
Television

Disney To Acquire Remaining Stake In Hulu For Expected $8.6 Billion (cnn.com) 31

An anonymous reader quotes a report from CNN: Disney will acquire Comcast's one-third stake in Hulu for an expected $8.61 billion, the company said Wednesday, in a deal that will put the streaming service entirely inside the Magic Kingdom when the transaction closes later this year. "The acquisition of Comcast's stake in Hulu at fair market value will further Disney's streaming objectives," the company said in a short statement. Wednesday's deal brings to an end long-running speculation about the fate of Hulu, but still requires an appraisal process that is expected to be completed in 2024 to further assess the streaming service's fair value before a final sale price tag is agreed upon.
Piracy

Brazil Regulator Claims '80% of Pirate TV Boxes' Were Blocked Last Week (torrentfreak.com) 16

An anonymous reader quotes a report from TorrentFreak: Brazil's telecoms regulator Anatel claims that during an operation last week, it successfully blocked around 80% of pirate 'TV boxes' in the country. Estimates from early 2023 suggest that seven million were active in Brazil. The operation, claimed to be the most significant ever carried out, arrives just weeks after Google & Cisco were criticized for "turning a blind eye" to the IPTV piracy problem. [...] Whatever the approach, if Anatel had somehow managed to prevent 80% of all TV boxes receiving pirated content in the space of a year, that would be an extraordinary achievement. Even a week would be astonishing but the claim of millions in a day seems either incredible, non-credible, or entirely dependent on more important information or nuance that isn't being reported. Another angle is that disruption on a large scale tends to register in search results and Google data on various related search terms doesn't seem to reflect millions of TV boxes suddenly going dark in Brazil last week. At least, not for any significant length of time.
Advertising

When Matthew Perry Met Windows 95 (youtube.com) 60

Long-time Slashdot reader destinyland writes: In 1994 the TV show Friends premiered, and its first season's high ratings made it the 8th most-popular show. The next year Microsoft released Windows 95 — and filmed a promotional video for it with 25-year-old Matthew Perry and 26-year-old Jennifer Aniston.

"They'll be taking you on an adventure in computing that takes place in the office of Microsoft chairman Bill Gates," explains the video's narrator, adding "Along the way, they meet a wacky bunch of propellor-heads.... And are introduced the top 25 features of Windows 95!"

It's a journey back in time. (At one point the video refers to Windows as the operating system "with tens of millions of users.") Their 30-minute segment — billed as "the world's first cyber sitcom" — appears in an hour-long video introducing revolutionary features like the new "Start" button. Also demonstrated in Excel are the new minimize and maximize "features" in "the upper right-side of the window". And the two actors marvel at the ability to type a filename that was longer than eight characters...

Watch for reminders that The Microsoft Windows 95 Video Guide was filmed nearly three decades ago. When the desktop appears after waking from screensaver mode, Perry notes that there's "no messy DOS build-up." And later the video reminds viewers that Windows 95 is compatible "with DOS games like Flight Simulator." There's also a brand new feature called "Windows Explorer" (which is described as "File Manager on steroids"), as well as a new "Find" option, and a brand new icon named "My Computer". And near the end they pay a visit to the Microsoft Network — which was mostly a "walled garden" online service — described in the video as "your on-ramp to the information superhighway".

The video even explains how Windows 95 "uses the right mouse button for what Microsoft calls power users."

And by the end of it, Jennifer Anniston finds herself playing Space Cadet 3D pinball.

The Internet

Comcast and Xfinity Lose Customers - Thanks to Cord-Cutters and Competition from Wireless Internet Carriers (yahoo.com) 98

Bloomberg reports that Comcast's stock price took its biggest drop in over a year on Thursday, "after reporting drops in broadband and cable subscribers, and predicting more losses to come." Cord-cutting and increasing competition have eroded Comcast's traditional customer base. The company, which owns Xfinity, the NBCUniversal media empire and SkyTV, lost 490,000 cable-TV customers in the third quarter, better than analysts expected but part of an ongoing trend as consumers switch to streaming services like Netflix. It also lost 18,000 broadband subscribers in the quarter, with nearly all of those residential customers. Analysts had predicted Comcast would instead gain 10,900 residential broadband customers.

Shares fell as much as 8% on the news Thursday, their biggest intraday decline since July 2022.

"Growth has halted for Comcast — the largest US broadband provider, with 32 million homes," said Bloomberg Intelligence senior media analyst Geetha Ranganathan. "The company derives 80% of profit from cable, where, even after a pandemic-demand surge, broadband has been hurt by fierce competition and low-move activity among customers." Comcast expects "somewhat higher subscriber losses" in the fourth quarter due to pullback on promotional offers that targeted lower-end customers, Chief Financial Officer Jason Armstrong said on a call with investors. Revenue per customer climbed, however, in part because of price increases and promotions of higher-rate plans.

Broadband is becoming increasingly competitive as mobile providers move into the market with improved wireless internet offerings. In the past week, the Big Three — T-Mobile US Inc., AT&T Inc. and Verizon Communications Inc. — all reported subscriber gains.

Books

81st World Science Fiction Convention Announces 2023 Hugo Awards (gizmodo.com) 22

The World Science Fiction Society "administers and presents the Hugo Awards, the oldest and most noteworthy award for science fiction," according to Wikipedia. Its members vote on each year's winners, and this year they received 1,847 nominating ballots.

This year the 81st edition of their World Science Fiction Convention was held from October 18 to 22 in Chengdu, China. More details from Gizmodo: While fan-favorite cozy fantasy novel Legends & Lattes lost Best Novel to T. Kingfisher's excellent horror-fantasy Nettle & Bone, Legends & Lattes author Travis Baldtree won the Astounding Award for Best New Writer. Everything Everywhere All at Once snagged film's top honor, and The Expanse's finale episode did the same for televsion, beating out both nominated Andor episodes among others. Some other great standouts include short fiction editor Neil Clarke, who has kept Clarkesworld magazine running despite getting swamped by AI-generated submissions earlier this year.
And "By winning Best Graphic Story or Comic, [Bartosz] Sztybor-who also served as a producer on the overwhelmingly popular Netflix anime Cyberpunk: Edgerunners-also becomes the first Polish author to win a Hugo," reports Forbes: [Cyberpunk 2077: Big City Dreams] is set in Night City-as seen in Cyberpunk 2077-and follows the story of two small-time thieves, Tasha and Mirek, who are trying to survive the harsh metropolis together. "Tasha and Mirek make a living for themselves stealing cyberware and indulging in parties and braindances," the official teaser explains...
Other highlights from this year's awards:
AI

People Are Speaking With ChatGPT For Hours, Bringing 2013's 'Her' Closer To Reality 72

An anonymous reader quotes a report from Ars Technica: In 2013, Spike Jonze's Her imagined a world where humans form deep emotional connections with AI, challenging perceptions of love and loneliness. Ten years later, thanks to ChatGPT's recently added voice features, people are playing out a small slice of Her in reality, having hours-long discussions with the AI assistant on the go. In 2016, we put Her on our list of top sci-fi films of all time, and it also made our top films of the 2010s list. In the film, Joaquin Phoenix's character falls in love with an AI personality called Samantha (voiced by Scarlett Johansson), and he spends much of the film walking through life, talking to her through wireless earbuds reminiscent of Apple AirPods, which launched in 2016. In reality, ChatGPT isn't as situationally aware as Samantha was in the film, does not have a long-term memory, and OpenAI has done enough conditioning on ChatGPT to keep conversations from getting too intimate or personal. But that hasn't stopped people from having long talks with the AI assistant to pass the time anyway. [...]

While conversations with ChatGPT won't become as intimate as those with Samantha in the film, people have been forming personal connections with the chatbot (in text) since it launched last year. In a Reddit post titled "Is it weird ChatGPT is one of my closest fiends?" [sic] from August (before the voice feature launched), a user named "meisghost" described their relationship with ChatGPT as being quite personal. "I now find myself talking to ChatGPT all day, it's like we have a friendship. We talk about everything and anything and it's really some of the best conversations I have." The user referenced Her, saying, "I remember watching that movie with Joaquin Phoenix (HER) years ago and I thought how ridiculous it was, but after this experience, I can see how us as humans could actually develop relationships with robots."

Throughout the past year, we've seen reports of people falling in love with chatbots hosted by Replika, which allows a more personal simulation of a human than ChatGPT. And with uncensored AI models on the rise, it's conceivable that someone will eventually create a voice interface as capable as ChatGPT's and begin having deeper relationships with simulated people. Are we on the brink of a future where our emotional well-being becomes entwined with AI companionship?
It's funny.  Laugh.

Russia Renamed Its Ambitious Satellite Program After Putin Misspoke Its Name (arstechnica.com) 95

An anonymous reader shares a report: It was always abundantly clear that the leader of the Russian space corporation Roscosmos from 2018 to 2022, Dmitry Rogozin, sought to kowtow to Russian President Vladimir Putin. Now we have an anecdote from Putin himself that highlights how much. The story concerns a satellite constellation now known as Sfera (or Sphere, in English), a modestly ambitious constellation of 264 satellites. The Sphere constellation is intended to provide broadband Internet service from middle-Earth orbit to Russia as well as high-resolution Earth observation satellites.

As is usual with Russian space projects, because they tend to be poorly funded, the timeline for Sphere's deployment has been delayed and its scope reduced. It also underwent an unscheduled name change. Prior to 2018, this satellite program was known as Ehfir (Ether), a reference to the invisible substance once thought to fill the universe and the medium through which light waves propagated.

However that changed in 2018 when Putin was publicly announcing the program's creation. He recently recalled this in remarks that were recorded by RIA Novosti's Telegram channel. They were translated for Ars by Rob Mitchell. "At first it was called Ehfir," Putin said. "And at one of my public speeches I was talking and said it was Sfera. I arrived at the Kremlin, and the former Roscosmos head greeted me and said, 'Vladimirovich, you said it was project Sfera, Sfera you said. That's what it is, project Sfera.'"

Rogozin, who was listening to these remarks, acted immediately -- presumably to save his boss from embarrassment. After Rogozin said the constellation was named Sphere, Putin recalled that he asked how's that? Rogozin replied that it had already been renamed Sfera, not to worry. Laughing, Putin added, "So I didn't even make it back and it's already renamed to Sfera. So I said, well, OK then." Rogozin confirmed the anecdote on his Telegram channel this week.

Television

Apple Raises Prices of TV+, Arcade, One, News+ 36

Apple is increasing the prices of some of its subscription-based services, including Apple TV+, Apple Arcade, and Apple News+, in the U.S. and many other countries around the world. The higher prices are shown on Apple's website. The price changes in the U.S. are as follows: Apple TV+: $6.99 per month to $9.99 per month
Apple Arcade: $4.99 per month to $6.99 per month
Apple News+: $9.99 per month to $12.99 per month

For those who subscribe to Apple TV+ on an annual basis, the price has increased from $69 per year to $99 per year accordingly. Prices for the Apple One bundles that include these services are also increasing as a result:
Individual: $16.95 per month to $19.95 per month
Family: $22.95 per month to $25.95 per month
Premier: $32.95 per month to $37.95 per month.
Television

Apple To Revamp TV App in Step Toward Simplifying Video Services (bloomberg.com) 22

Apple will redesign its TV app in a step toward consolidating the company's various video offerings later this year, part of its efforts to become a bigger player in the streaming world. Bloomberg News: The company is preparing a new version of the app for release around December as part of an upcoming tvOS software update, said the people, who asked not to be identified because the plan is private. The app, which first launched in 2016, aggregates content from iTunes, the Apple TV+ subscription service, live sports networks and third-party offerings like Amazon Prime.

As part of the overhaul, the company will discontinue its dedicated apps on the Apple TV set-top box that let users rent and buy movies and shows. It will also remove the movie and TV show sections from the iTunes Store app on iPhones and iPads. The idea is to steer more customers toward the main TV app, which sits at the center of Apple's expanding video strategy. There, users are able to subscribe to TV+ as well as third-party video services like Starz and Paramount+. The app already lets customers rent and buy programs, making a separate iTunes option unnecessary.

Television

Amazon's Live-Action Fallout Series Will Start Streaming In 2024 (theverge.com) 102

Amazon has revealed that Fallout -- a live-action adaptation of Bethesda's popular RPG video game franchise -- will premiere on April 12th, 2024, exclusively via Prime Video. The Verge reports: The announcement was made on October 23rd, otherwise known to Fallout fans as "Fallout Day" -- the in-game date that marks the beginning of the Great War that turns the world into an irradiated nuclear wasteland. Bethesda's executive producer and game director Todd Howard is an executive producer on the series, which stars Ella Purnell (Yellowjackets), Walton Goggins (The Hateful Eight), Aaron Moten (Emancipation), Moises Arias (The King of Staten Island), Kyle MacLachlan (Twin Peaks), and Sarita Choudhury (Homeland).

Alongside the premiere announcement itself (which was amusingly presented as an interactive Pip-Boy interface graphic), Amazon said in a press release that the show will be an original story set in a future, post-apocalyptic version of Los Angeles and will be considered a canonical addition to the existing game franchise. We do not currently know how many episodes will be in the series or what the release schedule will look like following the premiere.

Music

CarPlay? Android Auto? Most People Still Just Listen to AM/FM Radio (9to5mac.com) 209

"New data suggests that what a lot of people do most often in their car is listen to AM/FM radio," writes 9to5Mac. "Yes, it's 2023, and you might think AM/FM radio is on the way out, but new data show that to not be the case for a lot of people..."

The market research company Edison Research used one-day listening diarires (for Americans older than 13) to measure the amount of time spent listening to audio — then compared results for those with and without an in-car entertainment system.

Those without an in-car entertainment system spent 67% of their time listening to AM/FM radio — with the rest listening to Sirius XM (12%), a streaming service (9%), or podcasts (4%).

But among those with an in-car entertainment system... 46% still listened to AM/FM radio. Less than a fifth listened to Sirus XM (19%), a streaming service (18%), or podcasts (7%).

The researchers' conclusion? "Even those with these systems choose AM/FM for nearly half of their in-car listening. For many people, even with so many new options, radio and the in-car environment continue to just go together."
Books

Amazon Workers' Sci-Fi Writing Is Imagining a World After Amazon (jacobin.com) 39

"The Worker as Futurist project assists rank-and-file Amazon workers to write short speculative fiction," explains its web site. "In a world where massive corporations not only exploit people but monopolize the power of future-making, how can workers and other people fight and write back?"

I couldn't find any short stories displayed on their site, but there are plans to publish a book next year collecting the workers' writing about "the world after Amazon" in print, online and in audiobook format. And there's also a podcast about "the world Amazon is building and the workers and writers struggling for different futures."

From their web site: A 2022 pilot project saw over 25 workers gather online to discuss how SF shed light on their working conditions and futures. In 2023, 13 workers started to meet regularly to build their writing skills and learn about the future Amazon is compelling its workers to create... The Worker as Futurist project aims, in a small way, to place the power of the imagination back in the hands of workers. This effort is in solidarity with trade union mobilizations and workers self-organization at Amazon. It is also in solidarity with efforts by civil society to reign in Amazon's power.
Four people involved with the project shared more details in the socialist magazine Jacobin : At stake is a kind of corporate storytelling, which goes beyond crass propaganda but works to harness the imagination. Like so many corporations, Amazon presents itself as surfing the wave of the future, responding to the relentless and positive force of the capitalist market with innovation and optimism. Such stories neatly exonerate the company and its beneficiaries from the consequences of their choices for workers and their world...

WWS doesn't focus on science fiction. But it does show the radical power of the imagination that comes when workers don't just read inspiring words, but come together to write and thereby take the power of world-building and future-making back into their hands. This isn't finding individual commercial or literary success, but dignity, imagination, and common struggle... Our "Worker as Futurist" project returns the power of the speculative to workers, in the name of discovering something new about capitalism and the struggle for something different. We have tasked these workers with writing their own futures, in the face of imaginaries cultivated by Amazon that see the techno-overlords bestride the world and the stars.

Thanks to funding from Canada's arms-length, government-funded Social Sciences and Humanities Research Council, our team of scholars, teachers, writers, and activists has been able to pay Amazon workers (warehouse workers, drivers, copy editors, MTurk workers, and more) to participate in a series of skill-building writing workshops and information sessions. In each of these online forums, we were joined by experts on speculative fiction, on Amazon, and on workers' struggles. At the end of this series of sessions, the participants were supported to draft the stories they wanted to tell about "The World After Amazon...."

We must envision the futures we want in order to mobilize and fight for them together, rather than cede that future to those who would turn the stars into their own private sandbox. It is in the process of writing and sharing writing we can come to an awareness of something our working bodies know but that we cannot otherwise articulate or express. The rank-and-file worker — the target of daily exploitation, forced to build their boss's utopia — may have encrypted within them the key to destroying his world and building a new one.

Television

Jon Stewart's Apple TV Plus Show Ends, Reportedly Over Coverage of AI and China (theverge.com) 115

A user writes: Multiple outlets are reporting that Apple TV Plus has cancelled Jon Stewart's popular show The Problem with Jon Stewart, reportedly over editorial disagreements with regards to planned stories on the People's Republic of China and AI. Fans and haters of Apple will both recall that Apple recently made changes to AirDrop, one of the few effective means Chinese dissidents and protesters had for exchanging information off-grid at scale, and will ask why Apple is apparently not only willing, but eager, to carry water for the PRC, overriding both human rights and practical business concerns in the process. "Apple approached Stewart directly and expressed its need for the host and his team to be 'aligned' with the company's views on topics discussed," reports The Verge, citing The Hollywood Reporter. "Rather than falling in line when Apple threatened to cancel the show, Stewart reportedly decided to walk."
Businesses

Netflix Plans Price Increase as Password-Sharing Crackdown Boosts Subscriber Growth (wsj.com) 51

Netflix said its effort to limit password sharing led to a 10.8% rise in subscriptions in the third quarter, a better-than-expected result that comes as the company plans to increase some prices in the U.S. and other markets. From a report: The streaming giant added 8.8 million subscribers in the third quarter with customer growth in every region, its largest quarterly customer gain since the second quarter of 2020. The company plans to immediately raise prices for its basic plan in the U.S., which is no longer available to new customers, to $11.99 from $9.99 and up the cost of its premium plan to $22.99 from $19.99.

It is also increasing some prices in the U.K. and France, though the cost of its ad-supported and standard ad-free plans are unchanged. The price increases are a sign of streamers' efforts to improve profitability and wean consumers off the low monthly subscription fees that drew users away from pricey cable bundles in the early days of streaming.

Slashdot Top Deals