The vacancies at cable news companies are piling up as networks and journalists begin to eye streaming alternatives. Axios reports: Why it matters: Primetime cable slots and the Sunday shows are no longer the most opportunistic placements for major TV talent.

Driving the news: Long-time "Fox News Sunday" host Chris Wallace is leaving the network after nearly two decades, he announced Sunday. He will be joining CNN as an anchor for its new streaming service, CNN+. Wallace will anchor a new weekday show and will contribute to the network's daily live programming, per CNN. It was his decision not to renew his contract with the network, which expired this year, CNN's Brian Stelter reported.

The big picture: Wallace marks the latest in a string of cable news host departures and shakeups in the past few weeks and months. There are now several holes cable bosses will need to fill in coming weeks. [...] Major networks are investing heavily to lure talent to streaming alternatives in light of the decline of linear television. CNN hired NBC News veteran Kasie Hunt as an anchor and analyst for CNN+, reportedly for a salary of over $1 million. It's hiring hundreds of new roles for the streaming service, set to launch next quarter. NBC News has already hired the majority of the 200+ new jobs it announced over the summer for its new streaming service and digital team, a top executive confirmed to Axios last month. One of its linear TV anchors, Joshua Johnson, moved full-time to host a primetime streaming show for NBC News Now. Fox News launched a new weather-focused streaming service in October. A Fox executive said last week the company is prepared to migrate Fox News to a streaming platform when the time is right. CBS News changed the name of its streaming service recently from CBSN to "CBS News" to represent a new streamlined vision for streaming. "TV networks won't stop seriously investing in linear news programs until sports move out of the cable bundle, and that won't be for another few years," adds Axios.

This year's Game Awards also saw the premiere of The Matrix Awakens, a new in-world "tech demonstrator" written by Lana Wachowski, the co-writer/director of the original Matrix trilogy and director of the upcoming sequel. It's available free on the PS5 and Xbox Series X/S, reports the Verge, and they also scored a sit-down video interview with Keanu Reeves and Carrie-Ann Moss about the new playable experience — and the new Matrix movie: Reeves also revealed that he thinks there should be a modern Matrix video game, that he's flattered by Cyberpunk 2077 players modding the game to have sex with his character, and why he thinks Facebook shouldn't co-opt the metaverse.

Apart from serving as a clever promotion vehicle for the new Matrix movie premiering December 22nd, The Matrix Awakens is designed to showcase what's possible with the next major version of Epic's Unreal Engine coming next year. It's structured as a scripted intro by Wachowski, followed by a playable car chase scene and then an open-world sandbox experience you can navigate as one of Epic's metahuman characters. A big reason for doing the demo is to demonstrate how Epic thinks its technology can be used to blend scripted storytelling with games and much more, according to Epic CTO Kim Libreri, who worked on the special effects for the original Matrix trilogy...

Everything in the virtual city is fully loaded no matter where your character is located (rather than rendered only when the character gets near), down to the detail of a chain link fence in an alley. All of the moving vehicles, people, and lighting in the city are generated by AI, the latter of which Libreri describes as a breakthrough that means lighting is no longer "this sort of niche art form." Thanks to updates coming to Unreal Engine, which powers everything from Fortnite to special effects in Disney's The Mandalorian, developers will be able to use the same, hyper-realistic virtual assets across different experiences. It's part of Epic's goal to help build the metaverse.
Elsewhere the site writes that The Matrix Awakens "single-handedly proves next-gen graphics are within reach of Sony and Microsoft's new game consoles." It's unlike any tech demo you've ever tried before. When we said the next generation of gaming didn't actually arrive with Xbox Series X and PS5, this is the kind of push that has the potential to turn that around....

Just don't expect it to make you question your reality — the uncanny valley is still alive and well.... But from a "is it time for photorealistic video game cities?" perspective, The Matrix Awakens is seriously convincing. It's head-and-shoulders above the most photorealistic video game cities we've seen so far, including those in the Spider-Man, Grand Theft Auto and Watch Dogs series... Despite glitches and an occasionally choppy framerate, The Matrix Awakens city feels more real, thanks to Unreal Engine's incredible global illumination and real-time raytracing ("The entire world is lit by only the sun, sky and emissive materials on meshes," claims Epic), the detail of the procedurally generated buildings, and how dense it all is in terms of cars and foot traffic.

And the most convincing part is that it's not just a scripted sequence running in real-time on your PS5 or Xbox like practically every other tech demo you've seen — you get to run, drive, and fly through it, manipulate the angle of the sun, turn on filters, and dive into a full photo mode, as soon as the scripted and on-rails shooter parts of the demo are done. Not that there's a lot to do in The Matrix Awakens except finding different ways to take in the view. You can't land on buildings, there's no car chases except for the scripted one, no bullets to dodge. You can crash any one of the game's 38,146 drivable cars into any of the other cars or walls, I guess. I did a bunch of that before I got bored, though, just taking in the world.... Almost 10 million unique and duplicated assets were created to make the city....

Epic Games' pitch is that Unreal Engine 5 developers can do this or better with its ready-made tools at their disposal, and I can't wait to see them try.

SFGate pan's Disney's efforts at "hyping up its mega-expensive, hyper-immersive Star Wars hotel in Walt Disney World" — the Galactic Starcruiser — as its March 1st opening approaches: Guests must book two nights — which will set you back nearly $5,000 for two people or $6,000 for a family of four — and will spend most of their time inside the spaceship resort, much like a cruise. There's an "excursion" into the Galaxy's Edge part of Disney World, while the remainder of the stay includes interactions with characters, lightsaber training (more on that later) and exclusive restaurants...

The look and feel of the hotel has been criticized as looking plastic and cheap, and reception to one sneak peek video was so bad, it has since disappeared from Disney's YouTube channel.

The video showed actor Sean Giambrone of "The Goldbergs" being given a tour of some of the ship's features, which look pretty bare and antiseptic for the Star Wars universe, and listening to a strange musical performance. (Another user uploaded the deleted video here.) The promo prompted one Twitter user to comment, "Bro this isn't Star Wars, this is 'Space Conflicts.'" Fans responded similarly to a demo of Disney Parks Chairman Josh D'Amaro testing out the vaunted lightsaber training. Instead of a flashy, super realistic adventure, the training consisted of a standard light-up lightsaber and some lasers...

Reservations booked up quickly when the hotel was announced but now, as the 90-day deadline to cancel approaches, people appear to be ducking out of their expensive commitments; a number of openings have begun popping up in March, April and June.

An anonymous reader quotes a report from Motherboard: Dr. Garry Nolan is a Professor of Pathology at Stanford University. His research ranges from cancer to systems immunology. Dr. Nolan has also spent the last ten years working with a number of individuals analyzing materials from alleged Unidentified Aerial Phenomenon. His robust resume -- 300 research articles, 40 US patents, founding of eight biotech companies, and honored as one of Stanford's top 25 inventors -- makes him, easily, one of the most accomplished scientists publicly studying UAPs. Motherboard sat down with Garry to discuss his work. It has been edited for length and clarity. Motherboard's Thobey Campion starts by asking Dr. Nolan how he first became interested in UAPs. I've always been an avid reader of science fiction, so it was natural at some point that when YouTube videos about UFOs began to make the rounds I might watch a few. I noticed that this guy at the time, Steven Greer, had claimed that a little skeleton might be an alien. I remember thinking, 'Oh, I can prove or disprove that.' And so I reached out to him. I eventually showed that it wasn't an alien, it was human. We explain a fair amount about why it looked the way it did. It had a number of mutations in skeletal genes that could potentially explain the biology. The UFO community didn't like me saying that. But you know, the truth is in the science. So, I had no problem just stating the facts. We published a paper and it ended up going worldwide. It was on the front page of just about every major newspaper. What's more appealing or clickbait than 'Stanford professor sequences alien baby'?

That ended up bringing me to the attention of some people associated with the CIA and some aeronautics corporations. At the time, they had been investigating a number of cases of pilots who'd gotten close to supposed UAPs and the fields generated by them, as was claimed by the people who showed up at my office unannounced one day. There was enough drama around the Atacama skeleton that I had basically decided to forswear all continued involvement in this area. Then these guys showed up and said, 'We need you to help us with this because we want to do blood analysis and everybody says that you've got the best blood analysis instrumentation on the planet.' Then they started showing the MRIs of some of these pilots and ground personnel and intelligence agents who had been damaged. The MRIs were clear. You didn't even have to be an MD to see that there was a problem. Some of their brains were horribly, horribly damaged. And so that's what kind of got me involved. Dr. Nolan expanded on the MRIs, saying they resemble the white matter disease, or scarring, that occurs with multiple sclerosis, with the symptomology that's basically identical to what's now called Havana syndrome. "That still left individuals who had seen UAPs. They didn't have Havana syndrome. They had a smorgasbord of other symptoms."

When asked if there's anything man-made that might have this impact on the brain, Dr. Nolan said: "The only thing I can imagine is you're standing next to an electric transformer that's emitting so much energy that you're basically getting burned inside your body."

As for the UAP fragments, Dr. Nolan said some of the objects are "nondescript," and just "lumps of metal" with nothing particularly unusual about them "except that everywhere you look in the metal, the composition is different, which is odd." He added: "The common thing about all the materials that I've looked at so far, and there's about a dozen, is that almost none of them are uniform. They're all these hodgepodge mixtures. Each individual case will be composed of a similar set of elements, but they will be inhomogeneous."

Of the 10 or 12 UAP fragments he's looked at, "two seem to be not playing by our rules," he says. "That doesn't mean that they're levitating, on my desk or anything, it just means that they have altered isotope ratios."

You can read the full Q&A here.

In an opinion piece for The Guardian, science fiction writer Kim Stanley Robinson shares which actions be believes need to be taken to address the climate crisis. An anonymous reader shares an excerpt from the report, written by Daniel Aldana Cohen, assistant professor of sociology at the University of California, Berkeley: To really grasp the present, we need to imagine the future -- then look back from it to better see the now. The angry climate kids do this naturally. The rest of us need to read good science fiction. A great place to start is Kim Stanley Robinson. Robinson is one of the most brilliant writers of the genre. During Covid quarantine, I read 11 of his books, culminating in his instant classic The Ministry for the Future, which imagines several decades of climate politics starting this decade. The first lesson of his books is obvious: climate is the story. [...] What Ministry and other Robinson books do is make us slow down the apocalyptic highlight reel, letting the story play in human time for years, decades, centuries. The screen doesn't fade to black; instead we watch people keep dying, and coping, and struggling to shape a future -- often gloriously.

I spoke to Robinson recently for an episode of the podcast The Dig. He told me that he wants leftists to set aside their differences, and put a "time stamp on [their] political view" that recognizes how urgent things are. Looking back from 2050 leaves little room for abstract idealism. Progressives need to form "a united front," he told me. "It's an all-hands-on-deck situation; species are going extinct and biomes are dying. The catastrophes are here and now, so we need to make political coalitions." The point of Robinson's decades of sci-fi isn't to simply counsel "vote blue no matter who." He told me he remains a proud and longtime member of the Democratic Socialists of America (DSA). But he does want leftists -- and everyone else -- to take the climate emergency more seriously. He thinks every big decision, every technological option, every political opportunity, warrants climate-oriented scientific scrutiny. Global justice demands nothing less.

Robinson's "all-hands" call is even more challenging on technology and economics than on electoral campaigns. He wants to legitimize geoengineering, even in forms as radical as blasting limestone dust into the atmosphere for a few years to temporarily dim the heat of the sun. As Ministry dramatizes, and as he reminded me, there's a good chance that a country being devastated by climate breakdown will try this, whether it's authorized by the international community or not. More broadly, Robinson seems to be urging all of us to treat every possible technological intervention -- from expanding nuclear energy, to pumping meltwater out from under glaciers, to dumping iron filings in the ocean -- from a strictly scientific perspective: reject dogma, evaluate the evidence, ignore the profit motive.

"One couple's recent nuptials in the virtual world known as the metaverse showcase the possibilities of having a wedding unfettered by the bounds of reality," writes Steven Kurutz via The New York Times. An anonymous reader shares an excerpt from the report: Traci and Dave Gagnon met in the cloud, so it only made sense that their wedding took place in it. On Labor Day weekend, the couple -- or rather, their digital avatars -- held a ceremony staged by Virbela, a company that builds virtual environments for work, learning and events. Ms. Gagnon's avatar was walked down the aisle by the avatar of her close friend. Mr. Gagnon's avatar watched as his buddy's avatar ambled up to the stage and delivered a toast. And 7-year-old twin avatars (the ring bearer and flower girl) danced at the reception. How the immersive virtual world known as the metaverse, which few of us understand, will change the traditional wedding is, at the moment, anyone's guess. But the possibilities of having an event unfettered by the bounds of reality are interesting enough to consider.

Like a ceremony within a video game, though, it is important to note that any weddings that occur solely in the metaverse are currently not legal. (Even virtual weddings by videoconference, which many states allowed during the height of the pandemic shutdowns, have since been outlawed in New York State and elsewhere.) Still, the metaverse will take these virtual celebrations much, much further, experts say, and offer almost boundless possibilities to couples.

The Gagnons had a hybrid wedding of sorts. The couple were married in person Sept. 4 at Atkinson Resort & Country Club in New Hampshire, where they live, in a ceremony officiated by David Oleary, a friend and colleague of theirs ordained by the Universal Life Church, while simultaneously hosting a virtual ceremony in Virbela. They live-streamed their nuptials for those who could not be there in person. Guests of the virtual ceremony attended via a computer, which required downloading software and then creating an avatar. The events team and software engineers at Virbela, which staged the Gagnons' wedding in the metaverse, incorporated personalized details and images of their in-person wedding venue into the virtual ceremony.

Roku and Google have agreed to a multi-year extension for both YouTube and YouTube TV apps to be distributed on Roku. From a report: Roku's deal with Google to distribute YouTube was set to expire this month. Without a deal, YouTube would've been removed from Roku's channel store, creating a big competitive disadvantage, especially during the holiday season. "Roku and Google have agreed to a multi-year extension for both YouTube and YouTube TV," a Roku spokesperson said. "This agreement represents a positive development for our shared customers, making both YouTube and YouTube TV available for all streamers on the Roku platform."

"Fueled largely by millenial hipsters under the age of 35, the old, outdated format has risen from the dead," argues the Hustle: In the 1970s, vinyl sales peaked at 530 million units per year and accounted for 66% of all music format revenues... [B]y the '90s, vinyl sales dipped to less than 10 million units — a mere 0.1% of market share. In recent years, though, something odd has happened: Vinyl has made a small but mighty comeback... In an age of fleeting digital pleasures, vinyl has quenched a thirst for tangible assets.

For each of the past 15 years, sales of new vinyl have gradually increased. In the first half of 2021 alone, 17 million albums were sold — an 86% jump from 2020.

In an extremely rare twist, an old technology came back to surpass a newer one. Last year, for the first time since 1986, vinyl records outranked CDs in annual sales. This year, they're on pace to more than double CD revenue...

These figures don't even include the millions of used records sold through online marketplaces like Discogs (9 million active listings) and eBay (3.5 million), or at the 1,400 local record stores peppered throughout the U.S. Per Forbes, used vinyl sales are likely 1.5 times those of new records, or about 50 million units based on 2021 projections.
84% of the music industry's revenue now comes from sreaming, the article acknowledges. (And a vinyl record creates 12 times as many greenhouse gas emissions as other music formats.)

But for artists, the economics are undeniable. Even though the price of polyvinyl chloride has quadrupled since 2020, "A band would have to amass 450,000 streams on Spotify to match the profit of 100 vinyl sales."

Long-time Slashdot reader destinyland writes: Mystery Science Theatre 3000 will be coming back in 2022 with thirteen new episodes, plus 12 additional shorts and 12 monthly live events. "And this time, we're doing it without a network," explains the web page for their successful comeback campaign on Kickstarter. "Season 13 will be released exclusively in MST3K's new online virtual theatre, THE GIZMOPLEX."

36,581 backers pledged $6,519,019 to fund their own dedicated MST3K venue online, and most contributors to their 2021 Kickstarter campaign received 2022 passes to the online theatre as a thank-you. Now through December, fans who want to buy or gift a 2022 pass can get them discounted to $95. (Normally'll they cost $120.)

Starting on March 4, 2022, assorted MST3K zanies and their puppet robots will be watching (and heckling) 12 carefully-chosen weird movies, including one 1970 Gamera movie that they haven't gotten to yet, a 1968 Italian movie about a professional wrestler called The Batwoman, and Jack Palance's 1979 film, HG Wells' The Shape of Things to Come. And series creator Joel Hodgson will return when they all watch the 2014 movie The Christmas Dragon. The Den of Geek site has all the details on the 13 movies (gleaned from last week's traditional "Turkey Day marathon" of fan-favorite episodes — this year broadcast on YouTube, Twitch, and various web pages and streaming apps).

But in addition there's also a live touring show that will take them all across America. Next week fans can catch shows in the midwestern U.S. — specifically Youngstown Ohio, Nashville Indiana, Madison Wisconsin, and Chicago — before the crew moves on to Salt Lake City, Reno, and Seattle. Then it's on to California — San Francisco, Los Angeles, and San Diego — and then dozens of other major cities in the U.S. (Portland! Denver! Austin! Atlanta! Durham! Worcester! New York City!)

"We know that many of you are understandably concerned about COVID and the Delta variant. We are too," explains a special announcement on the tour's web site, promising the tour "will adhere to the same standards as touring Broadway shows in effect at the time of your performance... [E]very theater on the tour will have its own policies."
In 2008 the show's creator Joel Hodgson answered questions from Slashdot readers.

I Programmer writes: December 1st is much anticipated among those who like programming puzzles. It is time to start collecting stars by solving small puzzles on the Advent of Code website with the goal of amassing 50 stars by Christmas Day, December 25th. Raku has also opened its advent calendar and there's a brand new Bekk Christmas blog with informational content on multiple topics... At the time of writing we are only 10.5 hours into Advent of Code's Day 1, almost 50,000 users have completed both puzzles and another 8,484 have completed the first. [Some programmers are even livestreaming their progress on Twitch, or sharing their thoughts (and some particuarly creative solutions) in the Advent of Code subreddit.]

We can credit Perl with pioneering the idea of a programming advent calendar with daily articles with a festive theme and the Raku Advent Calendar now continues the tradition. Now in its 13th year, but only the third with its new name this year's first advent post solves a problem faced by Santa of creating thumbnails of approaching 2 billion images...
Smashing magazine has pulled together its own exhaustive list of additional geek-themed advent calendars. Some of the other highlights:

• The beloved site "24 Pull Requests" has relaunched for 2021, daring participants to make 24 pull requests before December 24th. (The site's tagline is "giving back to open source for the holidays.") Over the years 26,465 contributors (as well as 25,738 organizations) have already participated through the site.

• The Advent of JavaScript and Advent of CSS sites promise 24 puzzles delivered by email (though you'll have to pay if you also want them to email you the solutions!)

• This year also saw daily challenges from the sixth annual Code Security advent calendar being announced on Twitter, while TryHackMe.com has its own set of cybersecurity puzzles (and even a few prizes).

"I used to be able to understand 99% of the dialogue in Hollywood films," writes professional film blogger Ben Pearson. "But over the past 10 years or so, I've noticed that percentage has dropped significantly — and it's not due to hearing loss on my end...." Knowing I'm not alone in having these experiences, I reached out to several professional sound editors, designers, and mixers, many of whom have won Oscars for their work on some of Hollywood's biggest films, to get to the bottom of what's going on. One person refused to talk to me, saying it would be "professional suicide" to address this topic on the record. Another agreed to talk, but only under the condition that they remain anonymous. But several others spoke openly about the topic, and it quickly became apparent that this is a familiar subject among the folks in the sound community, since they're the ones who often bear the brunt of complaints about dialogue intelligibility...

"There are a number of root causes," says Mark Mangini, the Academy Award-winning sound designer behind films like "Mad Max: Fury Road" and "Blade Runner 2049." "It's really a gumbo, an accumulation of problems that have been exacerbated over the last 10 years ... that's kind of this time span where all of us in the filmmaking community are noticing that dialogue is harder and harder to understand...."

When it comes to dialogue unintelligibility, one name looms above all others: Christopher Nolan. The director of "Tenet," "Interstellar," and "The Dark Knight Rises" is one of the most successful filmmakers of his generation, and he uses his power to make sure his films push the boundaries of sound design, often resulting in scenes in which audiences literally cannot understand what his characters say. And it's not just audiences who have trouble with some Nolan films: the director has even revealed that other filmmakers have reached out to him to complain about this issue in his movies.... Thomas Curley, who won an Oscar as a production sound mixer on "Whiplash" and previously worked on "The Spectacular Now," has also seen this type of mentality at work. "Not everything really has a very crisp, cinematic sound to it in real life, and I think some of these people are trying to replicate that," he tells me.
Among the other factors: Curley also says that in general there's also a "bit of a fad" with today's actors for "soft delivery or under your breath delivery of some lines." Another sound designer complains today's more-visual movies are more resistant to closely-placed boom microphones — while a sound editor notes issues are exacerbated by compressed shooting schedules. One "high-profile Hollywood sound professional who wishes to remain anonymous even blamed an abundance of new technologies: "more tracks to play with, more options, therefore more expected and asked for from the sound editors... We literally have hundreds of tracks at our disposal."

And after all that, the article adds, movie theaters could also just be showing the movie with volume set too low.

Long-time Slashdot reader Aighearach shares a report from Reuters: President Joe Biden on Thursday laid out his strategy to fight the coronavirus as the highly contagious Omicron spread across the globe with winter coming and hours after the first known U.S. case of community transmission of the variant was reported. [...] In California and Colorado, the patients had recently returned from trips to southern Africa and had not gotten booster doses. The case in Minnesota is the first known community transmission within the United States. The patient in Minnesota had recently travelled to New York City for an anime convention, prompting the city to launch contact tracing to try to contain the spread.

"We are aware of a case of the Omicron variant identified in Minnesota that is associated with travel to a conference in New York City, and we should assume there is community spread of the variant in our city," New York City Mayor Bill de Blasio said. The person told state health investigators he attended the Anime NYC 2021 convention at the Javits Center from Nov. 19 to 21 and developed mild symptoms on Nov. 22. How many Slashdot readers were there? Have you had a recent COVID test?

As of this writing, CNBC reports a total of five cases of the omicron Covid-19 variant have been confirmed in New York. "Cases were discovered in Suffolk County, two in Queens, one in Brooklyn and one in New York City," the report states, citing Gov. Kathy Hochul.

AMC and Sony Pictures are giving away 86,000 NFTs to Stubs Premiere, A-List and Investor Connect members who buy or reserve tickets for Spider-Man: No Way Home showings on December 16th. Engadget reports: Redeem a code through a special website and you'll get one of 100 designs available through the more eco-friendly Wax blockchain. You'll need to order your tickets through the AMC Theatres website or mobile app when pre-orders launch on November 29th. If you qualify, you'll get your code on December 22nd and will have until March 1st, 2022 to claim the NFT.

Movie theatre chain AMC and Sony Pictures are giving away 86,000 Spider-man NFTs to people who buy/reserve tickets for December 16th's premiere of Spider-Man: No Way Home.

The special tickets go on sale tonight at midnight EST on the AMC web site and app (available only to people who've signed up for one of the chain's special perks programs like Stubs Premiere, A-List, and Investor Connect). "The movie ticket must be scanned at the theatre when the guest arrives for the movie," explains the movie industry site Boxoffice Pro. "If the ticket purchase is refunded or the ticket goes unused, or is not scanned, the NFT code will not be delivered." The Spider-Man NFT will be available to be redeemed at a dedicated site operated by WAX, an energy efficient, ultra-low carbon footprint blockchain and the first certified carbon neutral. WAX is the most utilized blockchain in the world processing 15 million transactions daily.

Adam Aron, Chairman of the Board and CEO of AMC, commented: "Our AMC Theatres guests and our AMC Entertainment shareholders have been calling for AMC to get into the world of NFTs, and we couldn't imagine a more perfect way to start doing so than with our good friends at Sony Pictures."
Over 100 NFT designs will be available (designed by Cub Studios), the announcement points out

In a tweet Sunday, AMC's CEO said the idea came from the company's shareholders.

Long-time Slashdot reader tlhIngan writes: We know Spotify has many complaints about Apple, specifically how Apple Music competes with Spotify. This has resulted in many complaints about unfair competition from Spotify, enough to bring about the scrutiny of European regulators. However, it appears Spotify might be the architect of their own complaints, from not supporting AirPlay 2 (which they rapidly backtracked on due to customer complaints), to now, not supporting the HomePod natively.

Apple introduced third-party support for the HomePod, which allows the speaker to natively play audio from streaming services without requiring an iOS device. Most notably, when the list of providers supporting the feature was announced by Apple, Spotify was conspicuously absent. Now Apple users are demanding Spotify add support for HomePod or they are switching to Apple Music.

Adele has persuaded Spotify to take the shuffle button off all album pages so tracks play in the artist's own order. The BBC reports: The singer tweeted: "We don't create albums with so much care and thought into our track listing for no reason. Our art tells a story and our stories should be listened to as we intended. Thank you Spotify for listening." The streaming service replied "anything for you". A statement later hailed their "new premium feature... to make play the default button on all albums." A Spotify spokesperson said they were "excited" to be rolling out the feature which was "long requested by both users and artists." The spokesperson said Spotify users could still choose to shuffle an album, but the system would default to playing tracks in the order chosen by the artist. "As always, we will continue to iterate our products and features to create the best experiences for both artists and their fans," the statement concluded.

While making the press rounds for his upcoming film, House of Gucci, iconic director Sir Ridley Scott revealed that both Blade Runner and Alien live-action television series are in the early stages of development. From a report: Speaking to the BBC news radio series, Today, Scott explained that his team has already written an initial pilot script for the former show, which would most likely air as a 10-episode run. Although the Alien series was first announced nearly a year ago as an FX on Hulu exclusive from showrunner Noah Hawley (Fargo and Legion), little has been heard of the project since then. Scott didn't tell much, but confirmed that the Alien series is still "being written for pilot," adding that Hawley and his crew "have to also write out the history, if it's eight hours or 10 hours, the bible of what happens in those 10 hours." A CGI anime set in the world of Agent K and Deckard in the year 2032, Blade Runner: Black Lotus, is currently airing on Adult Swim.

Long-time Slashdot reader destinyland writes: This week Marvel released an epic three-minute trailer hyping December's releases of Spider-Man: No Way Home. "It comes after the initial trailer, which focused on the movie's multiversal villains, broke YouTube records over the summer," CNET reported Tuesday (racking up 355.5 million views in its first 24 hours).

But then one more universe collided...

Basically, some internet wise guys re-edited the trailer, splicing its audio over clips from the Fox Kids' 1994 cartoon series Spider-Man. (Opening credits here.) "This has no right being this good," argues CNET — especially since the actual movie's trailer arrived "amidst a ludicrous amount of fanfare and hype."

But it's all oddly appropriate, since CNET notes the upcoming movie features five sinister villains from nearly 20 years of Spider-Man movies, reaching back to the Tobey Maguire and Andrew Garfield era ("likely spurred on by the events of the Disney Plus Loki series.")

So maybe it's fitting that it was also invaded by the television cartoon universe...

An anonymous reader writes: Haven't seen discussion on movie and TV shows recommendations on Slashdot of late. Could the fellow readers share some movies and TV shows and documentaries from this year that they really liked watching?

Softening the blow of a monthly price hike, Disney is offering subscribers to Hulu's live TV service access to Disney+ and ESPN+ at no extra charge. From a report: Beginning on December 21, the Hulu + Live TV package will cost $5 more each month. It will go up to $70 with the ad-supported tier of Hulu's on-demand service and $76 with the ad-free Hulu. Notifications to subscribers have just gone out this morning. The new bundle builds on success the company has had with its combined offering of Disney+, ESPN+ and on-demand Hulu. That trio was announced in mid-2019, just before the record-setting launch of Disney+ and has helped ESPN+ and Hulu to continue consistent growth.