Winamp, the premiere music player of the late 1990s and early 2000s that was acquired by Radionomy from AOL in 2014, has received a major new update for the first time in four years. An anonymous reader shares an excerpt from a report via Ars Technica: The release notes for Winamp 5.9 RC1 Build 1999 say that the update represents four years of work across two separate development teams, delayed in between by the COVID-19 pandemic. Most of the work done in this build focuses on behind-the-scenes work that modernizes the codebase, which means it still looks and acts like a turn-of-the-millennium Windows app. The entire project has been migrated from Microsoft Visual Studio 2008 to Visual Studio 2019, a wide range of audio codecs have been updated to more modern versions, and support for Windows 11 and https streams have both been improved.

The final release will be version 5.9, with some features targeted for release in version 5.9.1 "and beyond" (version 6.0 goes unmentioned). It requires Windows 7 SP1 or newer, dropping support for Windows XP. That said, in our limited testing the "new" Winamp is still in many ways an ancient app, one not made for the age of high-resolution, high-density displays. This may cause usability problems, depending on what you're trying to run it on. But hey, for all you people out there still trying to keep hope alive, it's nice to see something on Winamp.com that isn't a weird NFT project and a promise of updates yet to come.

Warner Bros announced that HBO Max and Discovery+ will launch in the U.S. as a single service in the summer of 2023. Variety reports: "At the end of the day, putting all the content together was the only way we saw to make this a viable business," [said JB Perrette, CEO and president of global streaming and interactive for Warner Bros. Discovery, on the company's Q2 earnings call]. Bringing HBO Max and Discovery+ together is aimed at cutting churn so "there's something for everyone in the household," he said. WBD did not announce what the new brand name for the merged service will be, nor did execs discuss pricing for the unified streamer. Warner Bros. Discovery is initially focused on the ad-supported and ad-free versions of the combined HBO Max-Discovery+, Perrette said, but is also "exploring how to reach customers in the free, ad-supported space" with content that is totally different from what's on the premium VOD services.

HBO may or may not be part of the name of the unified direct-to-consumer WBD platform; Perrette said the company is doing research on consumer perception of the HBO Max name. But, HBO will continue to be a major brand: "HBO will always be the beacon and the ultimate brand that stands for television quality," he said on the call. The merged HBO Max-Discovery+ will combine the best elements of both services, said Perrette. He said HBO Max has had "performance and customer" issues but offers a rich set of features; Discovery+ has more limited features but provides a more robust underlying delivery capability. The media company plans to take the unified HBO Max-Discovery+ platform to Latin America following the summer 2023 rollout in the United States, adds Variety. Europe will see it in early 2024; Asia Pacific in mid-2024; and additional markets in fall 2024.

Crunchyroll announced that it's acquired Right Stuf, one of the world's leading online anime superstores. "Expanding Crunchyroll's eCommerce offerings, the acquisition aims to serve anime fans and collectors an even wider array of merchandise for online purchase including manga, home video, figures, games, music and everything in between," writes the company in a post. From the report: Founded in 1987, Right Stuf is a leading consumer source for anime pop culture merchandise online. By visiting its eCommerce portal, enthusiasts and collectors can find thousands of products, including Blu-rays, manga books, music, figurines, collectables, and more. Right Stuf also offers licensed anime home video products through its own label.

"For 35 years, Right Stuf's mission has been to connect anime fans with the products they love," said Shawne Kleckner, CEO of Right Stuf. "Joining forces with Crunchyroll allows us to accelerate and scale this effort more than ever before. There has never been a more exciting time to be an anime fan than today!" Kleckner and the Right Stuf team will join Crunchyroll's Emerging Businesses organization, led by Terry Li. Sony acquired Crunchyroll for $1.175 billion from AT&T, in a deal that closed in August 2021.

An anonymous reader writes: Haven't seen recommendation threads on Slashdot of late. Was curious what my fellow readers have watched and read this year that you enjoyed?

An anonymous reader quotes a report from TorrentFreak: You wouldn't steal a car, right? So why are you pirating? With this 2004 message, the movie industry hoped to turn illegal downloaders into paying customers. This campaign eventually turned into a meme and it's not the only anti-piracy advert to miss the mark. A new research paper identifies several behavioral insights that explain common mistakes made in these campaigns. [...] The general assumption of many people is that, by adding more arguments, the message will be more compelling. That's called the 'more-is-better' heuristic but behavioral research has shown that the opposite is often true. When many arguments are presented together, the stronger ones may actually be diluted by weaker ones. So, referencing malware, fines, low quality, Internet disconnections, and losses to the industry, all while associating piracy with organized crime, is not the best idea. The reduced impact of stronger and weaker arguments is also one of the reasons why the "You Wouldn't Steal a Car" campaign didn't work as planned, the researchers suggest.

Anti-piracy campaigns can also focus too much on dry numbers without putting these into context. While these statistics are vital to the industry, the average pirate will simply gloss over them. This 'mistake' can also be explained by behavioral psychology, which has shown that people identify more with a problem or victim if they feel some kind of personal connection. That's often missing from anti-piracy messages. It's worth noting that not all personal messaging is effective either. The paper mentions an Indian anti-piracy campaign where famous Bollywood actors urged people not to download films illegally, equating piracy to theft. However, the Indian public probably has little sympathy for the potential "losses" incurred by these multi-millionaire actors. In fact, the anti-piracy campaign may be seen as an extra motivation to pirate. "All videos starred well-known actors, whose net worth is estimated to be $22-$400 million dollars, in a country where the annual per capita income is a bit less than $2,000." "This can offer to pirates a moral justification: they only steal the rich to 'feed the poor', a form of 'Robin Hood effect' that makes even more sense with some cultural or sport-related goods," the researchers add.

Piracy is a widespread and global phenomenon. This makes it particularly problematic for copyright holders but emphasizing this issue in anti-piracy messages isn't a good idea. This is the third mistake that's highlighted in the article. By pointing out that people are supposed to get content legally while at the same time showing that many people don't, people might actually be encouraged to pirate. Behavioral research has shown that people often prefer to follow the descriptive norm (what people do) rather than the injunctive one (what the law prescribes). "Informing directly or indirectly individuals that many people pirate is counterproductive and encourages piracy by driving the targeted individuals to behave similarly. These messages provide to the would-be pirates the needed rationalization by emphasizing that 'everyone is doing it'," the researchers write.

A sad announcement was posted online today, reports CNN: "Last night, my mother, Nichelle Nichols, succumbed to natural causes and passed away. Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from, and draw inspiration," Johnson said in a statement shared to Nichols' official site on Sunday. "Hers was a life well lived and as such a model for us all."

Nichols died from natural causes, he said...

George Takei, who portrayed the USS Enterprise's helmsman Hikaru Sulu, posted a touching tribute to his co-star.

"I shall have more to say about the trailblazing, incomparable Nichelle Nichols, who shared the bridge with us as Lt. Uhura of the USS Enterprise, and who passed today at age 89," wrote Takei on Twitter. "For today, my heart is heavy, my eyes shining like the stars you now rest among, my dearest friend."

"We lived long and prospered together," he added with a photo of the pair making the iconic Vulcan salute.
It was Nichols herself who came up with the name "Uhura" for her character, she revealed years in a 2010 interview. After the series Nichols authored the science fiction novels Saturn's Child and Saturna's Quest, as well as a memoir titled Beyond Uhura — Star Trek and Other Memories.

But Nichols also served on the board of directors of the National Space Society (a charity advocating for space advocacy) — and maintained ties to other real-world space agencies. "Nichols was always interested in space travel," according to a NASA web page. "She flew aboard the C-141 Astronomy Observatory, which analyzed the atmospheres of Mars and Saturn on an eight hour, high altitude mission." But in addition, "From the late 1970's until the late 1980's, NASA employed Nichelle Nichols to recruit new astronaut candidates" (including Dr. Sally Ride).

Remember the Spice DAO? They raised $3 million to buy a rare copy of a proposed film adaptation of Dune, "allegedly with the misguided idea that owning the book would also grant them the rights to its content," Morning Brew reported back in January. Their ambitious goal was to make the Dune bible public, before producing an animated series and supporting community projects.

But now they're just trying to sell it, in what they're calling "Redemption Phase One" — although project lead Kortelin indicated on Discord that the bible currently has "no willing buyers," the Verge reports: After a series of setbacks in an ambitious plan for a crypto-powered media studio, the group is letting people who hold its $SPICE token cash out by withdrawing their money from the group's treasury. It will change its name to "Spice Club," a "members only group" instead of a body with a formal voting structure. And it will cut its upkeep expenses to the bare minimum, a process that includes handing off the fragile and valuable book that inspired its creation.

Members who hold $SPICE might earn returns from the Spice Club's remaining initiatives. The group hopes to make money from the sale of the book and a non-fungible token (NFT) collaboration with comics artist Frank Miller. But that plan is complicated by the dismal state of the cryptocurrency market and legal questions around DAOs and tokens like $SPICE as well as doubts about whether the book could be auctioned for anything remotely approaching its purchase price of roughly $3 million.
Thanks to long-time Slashdot reader UnknowingFool for sharing the story!

"A 1980s pop culture mainstay is plotting a comeback," reports Deadline.

"AMC Networks is developing a Max Headroom drama series reboot, with Matt Frewer set to reprise his role as the world's first artificial intelligence TV personality." Halt and Catch Fire co-creator Christopher Cantwell is writing the adaptation and is attached as showrunner for the project, which is produced by Elijah Wood and Daniel Noah's SpectreVision and All3Media.

Known for biting commentary, quick wit and manic glitching, the supposedly computer-generated TV host played by Frewer was first introduced in the 1985 British cyberpunk TV movie Max Headroom: 20 Minutes into the Future. He became an instant pop culture phenom and went on to host a music-video show, star in ads for New Coke, appear on the cover of Newsweek and headline his own primetime series. Max Headroom aired on ABC for two seasons from 1987-88.
IGN notes that "Although Frewer is best known for Max Headroom, he recently had roles in Fear the Walking Dead and Orphan Black, and notably played the character Moloch in Zack Snyder's Watchmen."

schnell writes: A story (paywalled) analyzes the more uncertain fortunes of Marvel's most recent movies compared to their predecessors. From the article: "Since Disney acquired Marvel in 2009, the studio has produced 25 superhero films that have grossed a total $25 billion worldwide, making it one of the highest-earning film studios in Hollywood history. Among them are Marvel's 2019 Avengers: Endgame, the highest-grossing movie of all time with $2.8 billion at the global box office; Avengers: Infinity War, which grossed $2 billion, and eight more that topped $1 billion each. But since the beginning of 2021, the average global box-office gross of the six films produced by Marvel has fallen to $773.6 million — roughly half the $1.5 billion average of the previous six films ... Critical reception of the films has suffered as well. According to Rotten Tomatoes, a website that tracks movie reviews, the last six Marvel titles averaged a 75% approval rating among critics, compared with 88.5% for the prior six."

Some films starring less established characters drove a part of the drop-off such as The Eternals ($402M total box office gross), Shang-Chi and the Legend of the Ten Rings ($420.7 million) and Black Widow ($373.2 million). But tentpole characters haven't always been a guarantee of success -- while Spider-Man: No Way Home grossed $1.9B globally and Captain Marvel took in $1.1B, Thor: Love and Thunder suffered a surprising 68% box office drop-off from week one to two and is trending towards a disappointing performance.

Are Marvel's more recent films just victims of unrealistic expectations or pandemic-era changes in movie viewership? Have audience tastes changed, or has Marvel lost the plot when it comes to its newer movies?

The San Diego Comic-Con is "back in full force for the first time since 2019" reports the Associated Press. And Amazon's Prime Video used the occasion to unveil a lush new three-minute trailer for their upcoming series The Lord of the Rings: The Rings of Power. ("If the evil rising is left unchecked, it will take us all...")

Over the weekend it's already been viewed nearly 7 million times.

"Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," explains the video's description on YouTube. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone."

Comic-Con also hosted several panels on Amazon's Lord of the Rings series, including an 80-minute cast Q&A hosted by Patton Oswalt, Felicia Day, and Tiffany Smith. And the Associated Press reports that Stephen Colbert, "a self-proclaimed Tolkien fan, was also on hand to moderate a panel teasing the series on the fan convention's biggest stage," interviewing showrunners and executive producers J.D. Payne and Patrick McKay: The eight-part series will debut on Prime Video on Sept. 2, with new episodes arriving weekly. It is said to be the most expensive series ever made, with a reported budget of $465 million.... Jennifer Salke, the head of Amazon Studios, told The Hollywood Reporter last year that while the number is a "crazy headline that's fun to click on," "that is really building the infrastructure of what will sustain the whole series" which she called a "huge, world-building show."

Salke also said that a "giant, global audience needs to show up to it as appointment television" but that they were "pretty confident that will happen."
Five clips were also revealed to the Comic-Con audience and were "very well received by the crowd," reports USA Today. "They featured Galadriel and Elrond; Elrond and Durin getting ready for a friendly fight; hobbit ancestors the Harfoots; the Atlantis-like kingdom of Numenor; and an elves-versus-orcs battle." "It's a human story: We want you to take a step back and imagine your home .. and imagine that it's about to be taken away, that it's under threat," Payne said. "How far would you go" to protect that?"

When asked how they approached bringing characters to life that hadn't been described by Tolkien, Payne said, "We had the privilege of working with Tolkien scholars. Tolkien gave us all these amazing clues about characters in the Second Age. When Tolkien was silent, (we) try to invent things in as Tolkienian a way as possible." The producers and cast were quick to express respect and admiration for Jackson's films, but firm in their conviction that the show is something very different.

One important distinction was about dwarves. "We feel like dwarves are the butt of jokes, but we're going to take dwarves really seriously," Payne said.

"Moria, along with Hack (1984) and Larn (1986), is considered to be the first roguelike game, and the first to include a town level," according to Wikipedia.

And long-time Slashdot reader neoRUR remembers: At the dawn of the computer era there were some games that borrowed from Lord of the Rings and Dungeons & Dragons to create an experience like no other. It brought you into the world and you could be one of those characters, roam around, fight monsters, level up your characters. One of the more popular ones that would add to that was Moria (As in the Mines of Moria from Lord of the Rings) You quest was to kill the Balrog at the end.

This week one of the creators, Robert Alan Koeneke, who wrote Moria because he wanted a Rogue like game to play while at school at the University of Oklahoma, passed away. It has inspired many games and RPG's since.

I played Moria on the Amiga for hours and hours. His contributions to computer game history will always be remembered.
"Koeneke was working on version 5.0 of Moria when he left the university for a job," remembers NME, "though he made Moria open source so others could work on the project." In an email posted by Koeneke to a mailing list for Angband (a subsequent popular roguelike derived from Moria) in 1996, the developer reflected on his legacy.

"I have since received thousands of letters from all over the world from players telling about their exploits, and from administrators cursing the day I was born... I received mail from behind the iron curtain (while it was still standing) talking about the game on VAX's [an early range of computers] (which supposedly couldn't be there due to export laws). I used to have a map with pins for every letter I received, but I gave up on that...!"

While Koeneke never developed another video game, his influence on the gaming industry cannot be understated as his work directly inspired games like the Diablo series.

Those interested in playing the original Moria can do so here.

Thursday the first trailer appeared online for Dungeons & Dragons: Honor Among Thieves — and 15 million people have watched it. "Here's the thing. We're a team of thieves..." actor Chris Pine says in a voiceover. "We didn't mean to unleash the greatest evil the world has ever known. But we're going to fix it."

The video's description explains that "A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Dungeons & Dragons: Honor Among Thieves brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure."

The trailer also features Michelle Rodriguez, Regé-Jean Page, Hugh Grant, and a Druid that can turn into an Owlbear.

But at Comic-Con's Gaslamp Quarter there were also photo ops inside the legendary gelatinous cube, at a pop-up tavern serving glow-in-the-dark Dragon's Brew. The official "Dungeons & Dragons: Honor Among Thieves Tavern Experience" drew this rave review from Esquire. "Rest assured, friends, if the actual Dungeons and Dragons movie is anything like the tavern, it'll be a rocking, hilarious, self-aware, and — most importantly! — a fun trip." The team behind Dungeons and Dragons rigged the bar so that it would rumble like hell and fill with smoke whenever a dragon appeared on a massive video screen at the front. (We were supposed to infer that the tavern was under attack....)

Save a grog for me.
"Based on what we've seen, this movie looks like it's going to be a whole lot of fun," writes CinemaBlend: If you're hyped up for the campaign Dungeons and Dragons: Honor Among Thieves is promising here, you can take your place at the metaphorical gaming table starting March 3, 2023.
As the movie's trailer asks, "Who needs heroes when you have thieves?"

Long-time Slashdot reader schwit1 writes: The blaster that helped the Rebel Alliance finally take down the Empire could soon be yours.

Han Solo's DL-44 Heavy Blaster Pistol from the original Star Wars trilogy will be sold next month by Rock Island Auction Company. The weapon isn't just a lovingly crafted replica, either. It's the actual prop that was wielded by Harrison Ford on the set of the original film in the franchise, 1977's A New Hope.

Han shot first

"William Shatner closed out the first night of San Diego Comic-Con in style — with plenty of cursing and a look back at his storied career," writes the Hollywood Reporter: In an hourlong chat with emcee Kevin Smith, the 91-year-old actor talked about aging, space travel (both real and fictional) and his place in the pop culture consciousness....

He took time to address the importance and power of fandom to his career, and specifically to Star Trek, which 56 years ago introduced the world to James T. Kirk, his most enduring character. When asked to address the fans of that other major sci-fi franchise, Shatner quipped, "fuck Star Wars.... But not Mark Hamill."

"We love Mark Hamill," Smith agreed.

When asked by a fan if there were any new Star Trek series he thought rivaled his own, Shatner replied, "none of them."

"I got to know [creator] Gene Roddenberry in three years fairly well," said Shatner, "he'd be turning in his grave at some of this stuff...."
The article also quotes Shatner's more serious comments about his own recent trip into outer space courtesy of Jeff Bezos' Blue Origin.

"I went, and I vowed that every moment that I spent in space, would not be playing around in weightlessness, but looking out the window and trying to get an impression."

An anonymous reader shares a report: Netflix wants linear TV to die. CEO Reed Hastings has been banging the TV murder drum for more than 8 years now, and in the investor call today, he reiterated his belief, confidently saying that Netflix was in a great place because linear TV would be dead in "5 to 10 years." Hastings is financially incentivized to say this. One of the biggest competitors for the largest streaming service on the planet is the set of totally free streaming channels that beam into any TV with an antenna, and their costlier friends on cable TV.

After Netflix reported losing subscribers for the first time in over a decade last quarter, the company's Q2 earnings report revealed (PDF) the number of worldwide subscribers dipped by 1 million, including a drop of 1.28 million in the US and Canada alone. The Verge reports: That's better than its projection of losing 2 million worldwide, but the subscriber shortfall in the US and Canada is double the 600,000 drop it reported for Q1. Netflix now reports it has 73.28 million paid subscribers in the US and Canada, and 220.67 million worldwide.

Revenue increased 9 percent year over year from $7.3 billion in 2021 to $7.97 billion this quarter. Although the streamer ran into a couple of hiccups in recent months, including two separate layoffs affecting hundreds of workers, there was some good news. The season 4 release of Stranger Things boosted the series to the second most-watched show on the service, trailing behind the Korean-language hit Squid Game, which Netflix announced in June will be returning for a second season. Last week, Netflix announced a partnership with Microsoft on a new lower priced ad-supported subscription plan that it expects to launch by early next year. Netflix execs remain optimistic about the prospect of an ad-supported tier, noting that "over the long run, we think advertising can enable substantial incremental membership (through lower prices) and profit growth (through ad revenues)."

The company also recently began its crackdown on password sharing by creating an "extra member" fee for users who share accounts with people they don't live with. "The extra member fee of about $2 to $3 per month was implemented in Chile, Costa Rica, and Peru, with Netflix saying it would evaluate the rollout before making changes in other countries," reports Ars Technica.

An anonymous reader shares a report: Four months ago, Netflix began its crackdown on password sharing by creating an "extra member" fee for users who share accounts with people they don't live with. The extra member fee of about $2 to $3 per month was implemented in Chile, Costa Rica, and Peru, with Netflix saying it would evaluate the rollout before making changes in other countries. On Monday this week, Netflix announced a different kind of fee it will charge customers who share accounts.

The new one requires customers to pay for "extra homes" and will be charged starting August 22 in Argentina, the Dominican Republic, El Salvador, Guatemala, and Honduras. "Beginning August 22, 2022, if your Netflix account is being used on a TV outside of your home, you will need to pay an extra $2.99 per month for each extra home. You will only be charged when you or someone who uses your account chooses to add an extra home -- this fee will NOT be automatically charged," Netflix says on its Honduras pricing page. The fee for each extra home is also $2.99 a month in the Dominican Republic, El Salvador, and Guatemala. In Argentina, the fee is 219 pesos per month (about $1.70 USD). Netflix apparently is aiming for a broader rollout of an account-sharing fee or fees by the end of this year.

On July 7th Art News explained how 95-year-old Austrian artist Herbert W. Franke "has recently become a sensation within the art world the crypto space," describing the digital pioneer as a computer artist using algorithms and computer programs to visualize math as art. Last month, the physicist and science fiction writer was behind one of the most talked about digital artworks at a booth by the blockchain company Tezos at Art Basel. Titled MONDRIAN (1979), the work paid tribute to artist Piet Mondrian's iconic geometric visuals using a program written on one of the first home computers.

Days before this, Franke, who studied physics in Vienna following World War II and started working at Siemens in 1953, where he conducted photographic experiments after office hours, launched 100 images from his famed series "Math Art" (1980-95) as NFTs on the Quantum platform. The drop was meant to commemorate his birthday on May 14 and to raise funds for his foundation. The NFTs sold out in 30 seconds, with the likes of pioneering blockchain artist Kevin Abosch purchasing a few.
In one of his last interviews, Franke told the site that blockchain "is a totally new environment, and this technology is still in its early stages, like at the beginning of computer art. But I am convinced that it has opened a new door for digital art and introduced the next generation to this new technology." It echoed something he'd said in his first book, published in 1957, which he later quoted in the interview (a full 65 years later). "Technology is usually dismissed as an element hostile to art. I want to try to prove that it is not..."

This morning, long-time Slashdot reader Qbertino wrote: The German IT news site heise reports (article in German) that digital art pioneer, SF author ("The Mind Net") and cyberspace avantgardist Herbert W. Franke has died at age 95. His wife recounted on his Twitter account: "Herbert loved to call himself the dinosaur of computer art. I am [...] devastated to announce that our beloved dinosaur has left the earth.

"He passed away knowing there is a community of artists and art enthusiasts deeply caring about his art and legacy." Among much pioneering work he founded one of the worlds first digital art festivals "Ars Electronica" in Austria in 1979.
Franke's wife is still running the Art Meets Science web site dedicated to Franke's work. Some highlights from its biography of Franke's life: Herbert W. Franke, born in Vienna on May 14, 1927, studied physics and philosophy at the University of Vienna and received his doctorate in 1951... An Apple II was his first personal computer which he bought 1980. He developed a program as early as 1982 that used a midi interface to control moving image sequences through music....

Only in recent years has "art from the machine" begun to interest traditional museums as a branch of modern art. Franke, who from the beginning was firmly convinced of the future importance of this art movement, has also assembled a collection of computer graphics that is unique in the world, documenting 50 years of this development with works by respected international artists, supplemented by his own works....

As a physicist, Franke was predestined to bring science and technology closer to the general public in popular form due to his talent as a writer, which became apparent early on. About one-third of his nearly fifty books, as well as uncounted journal articles...

Franke's novels and stories are not about predicting future technologies, nor about forecasting our future way of life, but rather about the intellectual examination of possible models of our future and their philosophical as well as ethical interpretation. In this context, however, Franke attaches great importance to the seriousness of scientific or technological assessments of the future in the sense of a feasibility analysis. In his opinion, a serious and meaningful discussion about future developments can basically only be conducted on this basis. In this respect, Franke is not a typical representative of science fiction, but rather a visionary who, as a novelist, deals with relevant questions of social future and human destiny on a high intellectual level.

"Customized action figures at massive scale," promises a video at CNN. They'll be priced at $59.99, and it'll all start happening this fall — thanks to Hasbro's new partnership with 3D printer company Formlabs.

Long-time Slashdot reader destinyland explains: "It wasn't until recently that two technologies came into play at once," Brian Chapman, Hasbro's head of global design and development tells CNN. "One is a very simple way to scan someone's face and head" — which can now be accomplished with a Hasbro mobile app (which also allows customers to select other customizations like specific costumes). "And then, a very affordable way to print that head in a one-off way" (so it can be affixed to the standard body of Hasbro's action figures).

Imagine your face on Star Wars and Marvel action figures, as well as Power Rangers, Ghostbusters — and more.

CNN adds that Hasbro say it will not sell user face data, and will delete it after 60 days.

In March, Microsoft enabled audio CD playback in the new version of Media Player, something that the old version had supported for pretty much as long as it had existed. And now, Microsoft is rolling out support for CD ripping in the new version of Media Player, presumably so that we can all convert our old Weezer and Matchbox 20 CDs into files we can copy over to our iPods and Zunes. From a report: By default, CDs can be ripped to AAC files at constant bitrates ranging between 96 and 320kbps. The WMA, FLAC, and ALAC formats are also supported. MP3 support and variable bitrate support, two features that are still included in the "Media Player Legacy" app, are notably absent.