Today, Nielsen announced that Roku plans to enable four-screen measurement across desktop, mobile, connected TV and traditional TV. This is the first time Roku will use the digital methodology, Nielsen One, the data measurement firm's cross-media measurement tool, which launches in December. TechCrunch reports: With Nielsen's forthcoming tool, the firm claims that the company is on track to provide a consistent and comparable cross-media solution. Nielsen also claims that, with Nielsen One, marketers running ads with Roku are guaranteed duplicate copies of repeating data are eliminated.

"Marketers can now better evaluate CTV inventory's unique reach and frequency in conjunction with their entire Roku buy in a comparable and comprehensive manner, and advertisers can reduce waste and help ensure that relevant ads are delivered to the right audiences across devices. This release brings us one step closer to providing comparable and deduplicated metrics across screens with Nielsen One," said Kim Gilberti, SVP, Product Management, Nielsen, in a statement.

The data measurement firm wrote in today's announcement that its relationship with Roku dates back to 2016 when Roku allowed its marketers to measure campaigns with Nielsen Digital Ad Ratings measurement. Nielsen announced Nielsen One in 2020. Earlier this year, it was revealed that YouTube would be the first media company to try the new tool. Roku is the second company to enable cross-media measurement.

James Earl Jones is stepping away from the role of Darth Vader after nearly 40 years. According to Vanity Fair, he has signed off on using archival voice recordings to recreate the iconic voice with artificial intelligence. From a report: "He had mentioned he was looking into winding down this particular character," Matthew Wood, a Lucasfilm veteran of 32 years, told the outlet. "So how do we move forward?" The company has enlisted the assistance of Respeecher, a Ukrainian startup that uses AI technology to craft new conversations from revitalized old voice recordings. Respeecher's relationship with Lucasfilm began with the Disney+ series "The Book of Boba Fett," for which they recreated the voice of young Luke Skywalker. The two also teamed for the voice performance of Darth Vader on the series "Obi-Wan Kenobi," which debuted on Disney's streamer this summer.

Bogdan Belyaev, the 29-year-old speech artist, was tasked with delivering the new recordings to Lucasfilm, but tragedy struck on Feb. 24 when Russia invaded the country. As air raid sirens powered through the city of Lviv, Belyaev hurried to finish the project and send his work back to Skywalker Sound in Northern California. "If everything went bad, we would never make these conversions delivered to Skywalker Sound," he says. Following the debut of "Obi-Wan Kenobi," Jones' family informed Wood that they were pleased with the result of the synthesis between the actor's voice and Respeecher's technical work. Jones is credited for "guiding the performance" of Darth Vader in the Disney+ series, with Wood describing the actor as a "benevolent godfather."

Netflix already lost 1.2 million subscribers in the first two quarters of 2022. While the company hopes to add one million new users with its new ad-supported tier, a survey shows that 1 in 4 Netflix users are planning to cancel their subscriptions this year. From a report: Here's what this could mean to other streaming services, such as Apple TV+. Reviews surveyed 1,000 Americans to gauge their streaming habits in 2022. According to the report, the average American is subscribed to four streaming platforms. Netflix is still the most popular streaming service with nearly 4 out of 5 (77%) Americans currently subscribed to the platform. In addition, 70% say they use Netflix the most, followed by: HBO Max: 9.91%; Disney+: 6.18%; Peacock: 4.25%; Hulu: 3.86%; Apple TV+: 2.70%; Paramount+: 2.70%.

That said, of all the Netflix subscribers, 25% are planning to cancel their subscriptions. Of those who plan to leave the streaming service, two-thirds say increasing costs is one of the reasons. According to the survey, Netflix has the highest average plan cost among the eight more popular streaming services in the US. The other big complaint from Netflix users is two-fold: 1 in 3 respondents said Netflix no longer has the shows they want to watch; 30% said that they use other streaming services more.

Google announced a new Chromecast with HD streaming support today that costs just $30 and has a remote control with it. From a report: The company is launching the Chromecast with Google TV (HD) -- yes, that's the official name -- in 19 countries including the U.S. This comes two years after Google launched a $49 Chromecast with 4K HDR streaming support and the introduction of a remote. The new Chromecast supports 1080p streaming, and more than 10,000 apps that are on the Google TV platform including Netflix, HBO Max, Disney+, and Prime video.

An anonymous reader quotes a report from Motherboard: On Tuesday, 40 civil rights groups published an open letter calling on MGM Television executives to cancel the studio's upcoming reality show Ring Nation, which will feature former NSA employee and comedian Wanda Sykes presenting humorous surveillance footage captured from Ring doorbell cameras. The groups say the studio is "normalizing and promoting Amazon Ring's dangerous network of surveillance cameras," which, along with the Neighbors app, "violate basic privacy rights, fuel surveillance-based policing that disproportionately targets people of color and threatens abortion seekers, and enables vigilantes to surveil their neighbors and racially profile bystanders."

There's just one potential problem with the well-intentioned campaign: Amazon owns Ring, producer Big Fish Entertainment, and distributor MGM, and it also owns the Prime Video streaming service should it need somewhere to air it. It also has specific partnerships with thousands of police departments around the country should they happen to prove useful. This tower of vertical integration means that Ring Nation is a show designed from the ground up to leverage Amazon's vast monopoly to push its own product on Americans, and it also means that it will probably (but not definitely) be impossible to kill. There's very little chance that MGM executives will push back on the project when it's probably exactly the type of thing Amazon imagined being able to do when it spent $8.5 billion on a merger with MGM this year. "Ring Nation is not a comedy but rather a propaganda strategy to normalize and further digitize racial profiling in our communities. Truthfully the cognitive dissonance about the dangers of these tools is a real concern. It's striking to see a host who has been such a vocal supporter of racial justice protesters defend the very tech that was used to surveil activists during the uprisings in 2020," said Myaisha Hayes, campaign strategy director at Cancel Ring Nation co-organizer Media Justice, in a statement.

"The Ring Nation reality-TV series is anything but funny. It weaponizes the joy of our daily lives in an attempt to manufacture a PR miracle for scandal-ridden Amazon," Evan Greer, director of co-organizer Fight for the Future, said in a statement. "By normalizing surveillance, it will teach our children to relinquish their privacy in exchange for a quick laugh. In the coming weeks, Fight for the Future, Media Justice, and our org partners will be mobilizing our supporters and forming a loud and fearless coalition of civil rights groups to cancel Ring Nation," Greer said.

The show is set to launch on Sept. 26, though it hasn't been announced which networks will carry it.

"Whirring as it powered up, a hoverbike lifted directly into the air in Michigan, video shows."

That's the lead from one news report about a big debut at a U.S. auto show in Detroit: a gasoline-and-electric powered hoverbike (using a Kawasaki motor) created by Japanese manufacturing company AERWINS Technologies. They've already started selling them in Japan, and they're now also hoping to sell a smaller version in America in 2023. The hoverbike flies for 40 minutes, Reuters reports, and can reach speeds of up to 62 miles per hour (100 kph). (They added that the bike drew "perhaps inevitable comparisons to the speeder bikes of Star Wars.")

From McClatchy news services: Video from WXYZ's Facebook shows the hoverbike's flight. The test rider checks the vehicle then signals with a fist pump. The engines power up, whirring louder and louder until the bike lifts off. The hoverbike flies back and forth, slightly faster as the ride goes on, then lands smoothly to the ground, video shows. "I feel like I'm literally 15 years old and I just got out of Star Wars," the test rider told Reuters. "It's awesome! Of course, you have a little apprehension, but I was just so amped. I literally had goosebumps and feel like a little kid...."

The price of a hoverbike? Only $777,000 according to current estimates, though the company hopes to get the cost down to about $50,000, The Detroit News reported.
The Detroit News adds this about the company's founder/CEO: As a boy, Shuhei Komatsu loved Star Wars movies, especially the lightning-fast land speeders. So when he grew up, he decided to make one of his own, he said.

"I wanted to make something from the movie real," Komatsu said. "It's a land speeder for the Dark Side...."

Komatsu said his company will make its public offering of stock on the NASDAQ exchange in November.... He said he's hoping the U.S. government classifies its XTURISMO as a non-aircraft.... He said he thinks consumers will buy the machine for recreation, and governments will buy it for law enforcement and for inspecting infrastructure. "I hope that in the future, people will use it for every day," he said.

Randall Munroe does more than draw the online comic strip XKCD. He's also published a funny new speculative science book (following up on his previous New York Times best-seller), promising "short answers, new lists of weird and worrying questions, and some of my favorite answers from the What If site."

From his blog: In What If 2, I answer new questions I've receieved in the years since What If? was released. People have asked about touching exotic materials, traveling across space and time, eating things they shouldn't, and smashing large objects into the Earth. There are questions about lasers, explosions, swingsets, candy, and soup. Several planets are destroyed — one of them by the soup.
But besides launching a new book tour, he's also found some particularly geeky ways to promote the new book. On Thursday Munroe went on a language podcast to ask his own oddball questions — like how to spot an artificial language, and what does the word "it" refer to in the sentence "It's 3pm and hot." He's illustrated a a science-y animated video, and released several self-mocking cartoons.

And of course — answered some more strange science questions.

"There's a new Joker movie coming out," writes the Verge, "but you might not get a chance to see it because copyright is broken." I'm not talking about Joker: Folie à Deux, the officially sanctioned sequel to the Todd Phillips film Joker. I'm talking about The People's Joker, a crowdfunded Toronto International Film Festival (TIFF) selection that was pulled at the last minute, thanks to unspecified "rights issues." The People's Joker is (as far as I can tell) an extremely loose retelling of the Batman villain's origin story, reinterpreting the Joker as a trans woman trying to break into the mob-like world of Gotham's stand-up comedy scene. Its trailer describes it as "an illegal comic book movie," but its creators more seriously defend it as an unauthorized but legal parody of DC's original character, to the point of (apparently) giving their lawyer a full-screen credit.

I have no idea if The People's Joker is a good movie — thanks to its cancelation, my colleague Andrew Webster couldn't catch it at TIFF. The piece is clearly a provocation designed to thumb its nose at DC's copyright, and DC parent company Warner Bros. hasn't said whether it actually ordered TIFF to cancel showings — it's possible the festival balked or even that Drew did it herself. But despite all that, one thing is very clear: outside a tiny number of corporate behemoths, virtually nobody benefits from shutting down The People's Joker — not the filmmakers, not the public, and not the people who created Gotham City in the first place.

Writer-director Vera Drew says she made The People's Joker partly to test a contemporary truism: that beloved fictional universes are a shared modern mythology, and people draw meaning from them the way that artists once reinterpreted Greek myths or painted Biblical figures. As Drew has put it, "if the purpose of myth is to learn about the human experience and grow and also chart your progress — the hero's journey and all that stuff — let's actually do that earnestly with these characters."
The essay delves into the argument that culture exists for the common good. "It's useful to have a temporary period where artists can maintain control over their work because it helps support them financially and encourages them to make more of it. But the ultimate goal is that art should pass into the public domain and that it should be part of a conversation, with people repurposing it to create their own work...."

In an interview with Comic Book Resources, the filmmaker said the film was protected by both fair use and copyright law. "The only thing that makes it weird in both of those categories is nobody's ever taken characters and IP and really personalized it in this way. So I think that's the thing that really kind of makes it seem a lot more dangerous than I actually think it is. I mean, I get it, look, I put an 'illegal comic book movie' on the poster, but that was just to get your butts in the seats. Mission accomplished."

A statement from the filmmaker on Twitter blames "a media conglomerate that shall remain nameless" for an angry letter pressuring them not to screen the film. (It was ultimately allowed to premiere, but then pulled from later screenings.) They added that they were disappointed since "I went to great lengths with legal counsel to have it fall under parody/fair use," but they made the choice to protect the film festival and the future prospects for a possible return of the movie itself.

"The People's Joker will screen again very soon at several other festivals worldwide."

The Verge's conclusion? "If a law meant to protect artists is leaving weird independent movies in limbo to protect a corporate brand, something has gone deeply wrong."

Thanks to Slashdot reader DevNull127 for the article

Laughter comes in many forms, from a polite chuckle to a contagious howl of mirth. Scientists are now developing an AI system that aims to recreate these nuances of humor by laughing in the right way at the right time. The Guardian reports: The team behind the laughing robot, which is called Erica, say that the system could improve natural conversations between people and AI systems. "We think that one of the important functions of conversational AI is empathy," said Dr Koji Inoue, of Kyoto University, the lead author of the research, published in Frontiers in Robotics and AI. "So we decided that one way a robot can empathize with users is to share their laughter."

Inoue and his colleagues have set out to teach their AI system the art of conversational laughter. They gathered training data from more than 80 speed-dating dialogues between male university students and the robot, who was initially teleoperated by four female amateur actors. The dialogue data was annotated for solo laughs, social laughs (where humor isn't involved, such as in polite or embarrassed laughter) and laughter of mirth. This data was then used to train a machine learning system to decide whether to laugh, and to choose the appropriate type. It might feel socially awkward to mimic a small chuckle, but empathetic to join in with a hearty laugh. Based on the audio files, the algorithm learned the basic characteristics of social laughs, which tend to be more subdued, and mirthful laughs, with the aim of mirroring these in appropriate situations.

It might feel socially awkward to mimic a small chuckle, but empathetic to join in with a hearty laugh. Based on the audio files, the algorithm learned the basic characteristics of social laughs, which tend to be more subdued, and mirthful laughs, with the aim of mirroring these in appropriate situations. "Our biggest challenge in this work was identifying the actual cases of shared laughter, which isn't easy because as you know, most laughter is actually not shared at all," said Inoue. "We had to carefully categorize exactly which laughs we could use for our analysis and not just assume that any laugh can be responded to." [...] The team said laughter could help create robots with their own distinct character. "We think that they can show this through their conversational behaviours, such as laughing, eye gaze, gestures and speaking style," said Inoue, although he added that it could take more than 20 years before it would be possible to have a "casual chat with a robot like we would with a friend." "One of the things I'd keep in mind is that a robot or algorithm will never be able to understand you," points out Prof Sandra Wachter of the Oxford Internet Institute at the University of Oxford. "It doesn't know you, it doesn't understand you and doesn't understand the meaning of laughter."

"They're not sentient, but they might get very good at making you believe they understand what's going on."

Verizon Wireless, AT&T and Comcast were hit with copyright lawsuits accusing them of turning a blind eye to customers who illegally distribute and download pirated films. The production companies seek to force the internet providers to implement policies that provide for the termination of accounts held by repeat offenders and to block certain piracy websites. Hollywood Reporter: The trio of complaints filed throughout September, with the most recent filed Tuesday in Pennsylvania federal court, come from Voltage Pictures, After Productions and Ammo Entertainment, among others. Two law firms, Dovel & Luner and Culpepper IP, are representing the production labels. The internet providers knowingly contributed to copyright infringement by their customers, the lawsuits claim. Plaintiffs say they sent Verizon, AT&T and Comcast hundreds of thousands of notices about specific instances of infringement. They claim, for example, to have sent over 100,000 notices to Comcast concerning the illegal downloading of I Feel Pretty using its services. The lawsuit seeks to hold the internet providers liable for failing to investigate.

"Comcast did not take meaningful action to prevent ongoing infringements by these Comcast users," states the complaint. "Comcast failed to terminate the accounts associated with these IP addresses or otherwise take any meaningful action in response to these Notices. Comcast often failed to even forward the Notices to its internet service customers or otherwise inform them about the Notice or its contents." The internet providers, therefore, vicariously infringed on plaintiffs' movies since they had the right to terminate the accounts of customers who violate copyright law, the suit alleges. The Digital Millennium Copyright Act, passed in 1988, criminalizes services intended to circumvent measures that control access to copyrighted works. It provides protection from liability for services providers. But the production companies argue the internet providers don't have safe harbor under the law since it only shields companies if they've adopted and implemented policies that provide for the termination of accounts held by repeat offenders.

Blade Runner 2099, Amazon Studios' live-action series set in the Blade Runner universe, has been picked up to series for Prime Video. From a report: Ridley Scott, who directed the original 1982 Blade Runner movie, is executive producing the series, a follow-up to the feature film sequel Blade Runner 2049, which was released in 2017 and directed by Denis Villeneuve. Silka Luisa (Shining Girls) wrote the script and is exec producing Blade Runner 2099, which comes from Alcon Entertainment in association with Scott Free Productions and Amazon Studios. The project, which marks the first Blade Runner live-action series, had been in priority development at Amazon Studios.

"The original Blade Runner, directed by Ridley Scott, is considered one of the greatest and most influential science-fiction movies of all time, and we're excited to introduce Blade Runner 2099 to our global Prime Video customers," said Vernon Sanders, head of global television, Amazon Studios. "We are honored to be able to present this continuation of the Blade Runner franchise, and are confident that by teaming up with Ridley, Alcon Entertainment, Scott Free Productions, and the remarkably talented Silka Luisa, Blade Runner 2099 will uphold the intellect, themes, and spirit of its film predecessors." As indicated by Blade Runner 2099's title, the latest installment of the neo-noir sci-fi franchise will be set 50 years after the 2017 film sequel, which was set in 2049.

An anonymous reader quotes a report from Motherboard: Ukraine's airspace has been busy this year -- that's the nature of war. But scientists in the country are looking to the skies and seeing something they didn't expect: An inordinate number of UFOs, according to a new preprint paper published (PDF) by Kyiv's Main Astronomical Observatory in coordination with the country's National Academy of Science. The paper does not specifically address the war, but in the United States, the Pentagon has long hinted, speculated, and warned that some UFOs could be advanced technology from foreign militaries, specifically China and Russia (though it hasn't really given any evidence this is actually the case). The Ukraine paper is particularly notable because it not only shows that science has continued to occur during the war, but also explains that there have been a lot of sightings. "We see them everywhere," the research said. "We observe a significant number of objects whose nature is not clear."

The paper is titled Unidentified aerial phenomena I. Observations of events come from observations made at NAS' Main Astronomical Observatory in Kyiv and a village south of Kyiv called Vinarivka. According to the paper's authors, the observatories took on the job of hunting for UFO's as an independent project because of the enthusiasm around the subject. It describes a specific type of UFO the researchers call "phantoms" that is an "object [that] is a completely black body that does not emit and absorbs all the radiation falling on it." The researchers also observed that the UFOs it's seeing are so fast that it's hard to take pictures of them. "The eye does not fix phenomena lasting less than one-tenth of a second," the paper said. "It takes four-tenths of a second to recognize an event. Ordinary photo and video recordings will also not capture the [unidentified aerial phenomenon]. To detect UAP, you need to fine-tune the equipment: shutter speed, frame rate, and dynamic range."

So the researchers did just that using two meteor monitoring stations in Kyiv and Vinarivka. "We have developed a special observation technique, taking into account the high speeds of the observed objects," the paper said. "The exposure time was chosen so that the image of the object did not shift significantly during exposure. The frame rate was chosen to take into account the speed of the object and the field of view of the camera. In practice, the exposure time was less than 1 ms, and the frame rate was no less than 50 Hz." The scientists divided the phenomenon they observed into two different categories: cosmics and phantoms. "We note that Cosmics are luminous objects, brighter than the background of the sky. We call these ships names of birds (swift, falcon, eagle)," the paper said. "Phantoms are dark objects, with contrast from several to about 50 percent."

Using the cameras, stationed roughly 75 miles apart, allowed the scientists to make repeated observations of strange objects moving in the sky. The paper didn't speculate on what the objects were, merely noted the observations and mentioned the objects' incredible speeds. "Flights of single, group and squadrons of the ships were detected, moving at speeds from 3 to 15 degrees per second," the research said. "Phantoms are observed in the troposphere at distances up to 10 -- 12 km. We estimate their size from 3 to 12 meters and speeds up to 15 km/s." The easy explanation would be that these are missiles, or rockets, or something else associated with the war. But the scientists insist that their nature "is not clear."

Adobe thinks it has the answer to Netflix's "password sharing" problem that involves up to 46 million people, according to a 2020 study. TorrentFreak reports: Adobe believes that since every user is different, any actions taken against an account should form part of a data-driven strategy designed to "measure, manage and monetize" password sharing. The company's vision is for platforms like Netflix to deploy machine learning models to extract behavioral patterns associated with an account, to determine how the account is being used. These insights can determine which measures should be taken against an account, and how success or otherwise can be determined by monitoring an account in the following weeks or months. Ignoring the obviously creepy factors for a moment, Adobe's approach does seem more sophisticated, even if the accompanying slide gives off a file-sharing-style "graduated response" vibe. That leads to the question of how much customer information Adobe would need to ensure that the right accounts are targeted, with the right actions, at the right time.

Adobe's Account IQ is powered by Adobe Sensei, which in turn acts as the intelligence layer for Adobe Experience Platform. In theory, Adobe will know more about a streaming account than those using it, so the company should be able to predict the most effective course of action to reduce password sharing and/or monetize it, without annoying the account holder. But of course, if you're monitoring customer accounts in such close detail, grabbing all available information is the obvious next step. Adobe envisions collecting data on how many devices are in use, how many individuals are active, and geographical locations -- including distinct locations and span. This will then lead to a "sharing probability" conclusion, along with a usage pattern classification that should identify travelers, commuters, close family and friends, even the existence of a second home.

Given that excessive sharing is likely to concern platforms like Netflix, Adobe's plan envisions a period of mass account monitoring followed by an on-screen "Excessive Sharing" warning in its dashboard. From there, legal streaming services can identify the accounts most responsible and begin preparing their "graduated response" towards changing behaviors. After monetizing those who can be monetized, those who refuse to pay can be identified and dumped. Or as Adobe puts it: "Return free-loaders to available market." Finally, Adobe also suggests that its system can be used to identify customers who display good behavior. These users can be rewarded by eliminating authentication requirements, concurrent stream limits, and device registrations.

"Succession," HBO's portrait of a dysfunctional media dynasty, won best drama at the 74th Emmy Awards on Monday night, the second time the series has taken the prize. The New York Times: Jesse Armstrong, the show's creator, also took home the Emmy for best writing, the third time he's won in that category. And Matthew Macfadyen won best supporting actor in a drama for the first time for his performance on the show. It was the sixth time in eight years that HBO has taken the television industry's biggest prize for a recurring series, making it yet another triumphant night for the cable network. HBO, as well as its streaming service, HBO Max, won more Emmys (38) than any other outlet, besting its chief rival, Netflix (26).

"The White Lotus," the cable network's beloved upstairs-downstairs dramedy that took place at a Hawaiian resort, won best limited series, and tore through several other categories. The show won 10 Emmys altogether, more than any other series. Mike White, the show's creator and director, won a pair of Emmys for best directing and writing. And performers from the show, Murray Bartlett and Jennifer Coolidge, both received acting Emmys. "Mike White, my God, thank you for giving me one of the best experiences of my life," Bartlett, who played an off-the-wagon hotel manager, said from the Emmys stage. But HBO's chronicles of the rich were not the only winners on Monday night.

"Ted Lasso," the Apple TV+ sports series, won best comedy for a second consecutive year, as the tech giant continues on an awards show tear. Apple TV+, which had its debut in November 2019, won best picture at the Oscars ("CODA") earlier this year. And Jason Sudeikis repeated as best actor in a comedy as the fish-out-of-water soccer coach in "Ted Lasso." There were other big moments in the comedy awards. Quinta Brunson, the creator of the good-natured ABC workplace sitcom, "Abbott Elementary," about a group of elementary schoolteachers at an underfunded Philadelphia public school, won for best writing in a comedy. It was only the second time a Black woman won the award (Lena Waithe was the first, in 2017, for "Master of None").

Released 40 years ago, the 1982 movie Tron eventually spawned a 2010 sequel (plus a 19-episode animated series that aired on Disney XD between 2012 and 2013). But it also spawned a rollercoaster...

Tron Lightcycle Run first opened at Shanghai Disneyland in 2016. (You can find some ride-through footage on YouTube. Apparently riders race against a yellow lightcycle....)

And now the ride is finally coming to Florida, reports Cinemablend: Tron Lightcycle Run began its construction back in 2018 and while the E-ticket ride was massive, we expected things to move along as quickly as possible. However, then a little pandemic happened and that changed a lot. Construction was delayed and even after the parks reopened things were going quite slowly, but more recently things have picked up, and now we know when the ride will finally be open.

At the D23 Expo today Disney Parks Chairman Josh D'Amaro announced a Spring 2023 opening date for Tron Lightcycle Run..... Lightcycle Run has been undergoing testing with live riders of late, a video was shown during the presentation of Josh D'Amaro himself doing a run...
CNET quotes D'Amaro as saying the ride is "really close to being ready for showtime."

CNET reveals some Star Wars news shared at Disney's three-day "D23 Expo." Fans were probably most thrilled by the reveal of a new Mandalorian trailer for the upcoming third season of the hit show that brought us Baby Yoda in all his cuteness... Lucasfilm also dropped a final trailer for upcoming Disney Plus series Andor. Diego Luna plays Cassian Andor as he's recruited into the rebellion against the Empire. The show takes place five years before the events of Rogue One.

And the studio presented a trailer for Tales of the Jedi, which offers six original shorts about Ahsoka and Dooku, and arrives October 26. Fans also got a glimpse, though not a trailer, showing Jude Law, who's starring in Star Wars: Skeleton Crew, a story about a group of younglings lost in space.
Also revealed was a "developer update" trailer for the upcoming mobile game Avatar: Reckoning, as part of the news about other franchises: James Cameron called in to the event from New Zealand to discuss Avatar: The Way of Water, and the crowd was given 3D glasses to watch some breathtaking footage [from] Cameron's long-awaited sequel... ahead of its December 16 release.

An exclusive clip from The Ant-Man and the Wasp: Quantumania featured Kang holding Cassie Lang hostage and trying to force Scott to steal something for him. Also featured: Bill Murray!

Samuel L. Jackson returns as Nick Fury in a new Disney Plus show called Secret Invasion, where Fury and friends (Oscar-winner Olivia Colman among them!) takes on shape-changing Skrulls. The trailer looks intense."

Since January 1, 2009, Jonathan Mann has written an original song every day and shared it online. Starting as an unemployed 26-year-old, Mann remembers in an online video that "I made my living entering video contests — I'd submit to 12 of them in 12 days, win one or two, and that was my income for the month."

But Mann released that video after song #4,000, reflecting that "A bunch of videos went viral. I released eight albums. In 2016 I got the Guinness World Record for most consecutive days writing a song. And I've carved out this living delivering keynotes at conferences all over the world — as well as watching all the other talks then getting up at the end to sing a song that recaps everything."

And now 13 years, 8 months, and 9 days after he first began, "I have officially written 5000 songs in 5000 days," Mann announced Friday on Twitter — sharing a special 5,000th song including singing appearances from 112 of his listeners. Mann still shares his videos free online — but for four years, Mann has also been auctioning the songs as NFTs living on the Ethereum blockchain. (By Friday night someone had bid 5 ETH -- about $1,700 -- for song #5,000. And the NFTs also confer membership status for the decentralized autonomous organization, SongADAO).

Mann also writes songs on commission on a "pay-what-you-feel" basis, and has even written songs for companies like SquareSpace and OKCupid. ("Most businesses pay between $2000 and $5000 for a song and a video.") Once Steve Jobs even opened Apple's press conference about its iPhone antennas dropping phone calls by playing one of Mann's satirical songs.

"I saw that on YouTube this morning, and couldn't help but want to share it," Steve Jobs said, according to this 2017 summation of Mann's other wacky career highlights: On day #202, he won a $500 American Express gift card in a jingle contest held by Microsoft for the launch of their Bing search engine. When TechCrunch quipped that Bing had succeeded "in finding the worst jingle ever," Mann responded with a second song — setting TechCrunch's article to music (along with a speculative interior monologue which Mann acknowledges is "completely made up.")

Mann later admitted that his jingle was the worst song he'd recorded that July. ("I wrote it in 10 minutes ...") And his worst song that October was a related song that he'd written when "I received an email from Microsoft of a video showing middle-school kids in Pennsylvania singing and dancing to my Bing song."

"I was horrified. Don't get me wrong, the kids were adorable, but Bing? What had I created!?"

But he was honored when the kids told him they'd enjoyed dancing to his song, and when they asked for one about their own school, Mann obliged.

When Steve Wozniak turned 60, Mann was ready with a musical tribute — Song #588, "That's Just Woz...."

And in January of 2011, as the world learned Jobs had taken an indefinite medical leave of absence, Mann released song #753: Get Better, Steve Jobs...

Mann's duet with Siri earned over 1,609,675 views....

On Day #810 Mann convinced his girlfriend Ivory to sing the other half of a duet called "Vegan Myths Debunked." They'd apparently been dating for a year before he started his song-a-day project. But after four more years, on Day #1,435, Mann and his girlfriend Ivory decided to break up — and released a music video about it....

And in 2014, on day 1,951, Mann's wife gave birth to his son Jupiter....

Day #2000, in June of 2014, Mann answered questions from Reddit users, answering every question with a song....

At a speaking engagement, he offered his own perspective on time: "100 days went by, a year went by, a thousand days went by. At a certain point, it just becomes a part of my life. And so that's how I stand before you now having written 2,082 songs in as many days."

As the audience applauds, he segues into his larger message, "I'm happiest when I'm making."
The article closes by quoting the song Mann wrote on Day #2001 — for a video which included part of every one of the 1,999 previous videos, in a spectacular montage called "2000 Songs in 2000 Days...."

"And I will sing until I'm all out of breath. And the color of the sun is a dark, dark red. And the governments will fall. And we'll sing until it hurts. And we'll ring forever through the universe."

The video ends with a personal message from Mann himself.

"Make something every day," it urges in big letters.

"Just start. I believe in you."

An anonymous reader quotes a report from Motherboard: The U.S. Navy says that releasing any additional UFO videos would "harm national security" and told a government transparency website that all of the government's UFO videos are classified information. In a Freedom of Information Act request response, the Navy told government transparency site The Black Vault that any public dissemination of new UFO videos "will harm national security as it may provide adversaries valuable information regarding Department of Defense/Navy operations, vulnerabilities, and/or capabilities. No portions of the videos can be segregated for release."

The Black Vault was seeking all videos "with the designation of 'unidentified aerial phenomena.'" This is an interesting response from the Navy because, often, military agencies will issue a so-called GLOMAR response, where they neither confirm nor deny that the records (in this case videos) exist, and refuse to say anything more. In this response, the Navy is admitting that it has more videos, and also gives a rationale for releasing three previous UFO videos.

"While three UAP videos were released in the past, the facts specific to those three videos are unique in that those videos were initially released via unofficial channels before official release," it said. "Those events were discussed extensively in the public domain; in fact, major news outlets conducted specials on these events. Given the amount of information in the public domain regarding these encounters, it was possible to release the files without further damage to national security."

An anonymous reader quotes a report from TorrentFreak: Prosecutors in Taiwan have indicted five men for running an operation that uploaded movies to the internet and then extorted cash settlements from the BitTorrent users who downloaded them. One of the men is former ultramarathon runner Kevin Lin, who founded a copyright consultancy company after graduating from law school in 2020. According to reports, Lin's company enticed users to download the torrents, tracked their IP addresses, and then filed copyright lawsuits in an effort to profit from cash settlements. Lin said that due to his support for the opposition government and his criticism of its handling of the COVID-19 pandemic, the investigation against him is politically motivated.

In May 2021, licenses were obtained from Vie Vision Pictures Co. and Applause Entertainment Ltd, which led to 18 movies being uploaded to BitTorrent networks, to tempt users into downloading them. After capturing their IP addresses, Lin's company obtained their identities from ISPs and sued them. The goal was to obtain out-of-court settlements. Since August 2021, Lin's company filed 937 lawsuits for copyright infringement. In just 25 of those cases, the company managed to "extort" settlements of $29,207, FocusTaiwan reports. In addition to Lin, several other people have also been indicted for their part in the operation.

Streaming television is going through an existential crisis, involving the people who make it and the viewers who watch it. Its revolutionary zeal has naturally faded, as that initial wave of near limitless expansion, boundless creative opportunities and vast archival choices crashes ashore, after a spate of megamergers and a drop in new subscribers. From a report: Just when streaming has finally attracted more viewers than cable or broadcast TV, its major players are engaged in a long-predicted war for subscribers, who are becoming all too aware of rising subscription prices and, both subtly and directly, a change in what programs get made and how long they stick around. Commercials could soon become more common, and services may be bundled (for one low monthly price!), already triggering visions of a future that recalls the dark days of cable.

The list of seismic rumblings in recent weeks is long, as chronicled in the Hollywood Reporter, Variety and elsewhere: Warner Bros. Discovery is cutting shows from its archives and unfinished movies from HBO Max as it prepares to merge it with its sister streaming service Discovery Plus, having promised its shareholders a $3 billion cut in costs. Faced with a plunging stock price and worrisome subscriber loss, Netflix plans to add an advertising-supported model for a lower price and may crack down on password sharing. Disney Plus, Hulu and ESPN Plus, which can all be subscribed to in a cable-esque bundle, are raising prices after taking a more than $1 billion hit in the fiscal third quarter. [...] The fear of having your show or movie deleted on an executive's whim -- a growing reality for many, including Katai -- is compounded by the fact that in the post-DVD digital age, viewers may never be able to access the shows again. Showrunners might not even have physical copies of their own work. And that's not the only downside for creators.